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Adam Rogers
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Adam Rogers was born and raised in New York City. He studied jazz guitar with Barry Galbraith, Howard Collins and John Scofield. During his four years at the Mannes Conservatory of Music he studied Classical Guitar with Frederic Hand. Since the beginning of his professional career he has played on over Two Hundred commercially released recordings and toured extensively throughout the United States, Canada, Europe, Japan, South America, The Middle East and Russia. Adam has been enthusiastically reviewed in the New York Times, Downbeat, Jazz Times, The Village Voice, Newsweek, Jazz Hot, The Chicago Sun Times and Tower Pulse Magazine among numerous other periodicals worldwide. For eleven years he co-led the innovative and critically acclaimed group Lost Tribe, which has toured nationally and internationally, releasing three albums
Scott Colley, Edward Simon, Brian Blade: Three Visitors
by Angelo Leonardi
? un disco che lascia il segno questo variopinto ritorno di Scott Colley, Edward Simon e Brian Blade con ospiti di rilievo come Chris Potter e Becca Stevens. Ricordiamo che il trio ha debuttato più di un decennio fa, quando incise a nome di Simon Steel House per la ArtistShare. Negli anni passati i ...
Behind the Voice
Label: Origin Records
Released: 2024
Track listing: Send One Your Love; Come Talk to Me; Growing Trade; Sometimes It Snows in April; Everlong; The Heart of the
Matter; Why Can't It Wait Till Morning; Human Nature; You Are.
My Conversation with David Binney
by Glenn Astarita
This article first appeared on All About Jazz in September 1999. New York City-based saxophonist and composer David Binney has been getting lots of well-deserved attention over the last several years. Three excellent CDs with the unique and hard driving band Lost Tribe, stints with Medeski Martin & Wood, Drew Gress' Jagged Sky, Aretha ...
Chris Potter Underground: Open Minds
by Mike Jacobs
This under-an-hour doc from 2009 is not only a satisfying snapshot of one of Chris Potter's most durable and exciting lineups but is also an insightful piece on band dynamics, material development and performance ethos in jazz. Filmed largely in the legendary (and now-defunct) 55 Bar, it also cannot help but deliver accompanying bittersweet pangs for ...
Lage Lund: Idlewild
by C. Andrew Hovan
An open and revealing format for any artist, the jazz trio offers rewards on many levels. Left in veracious hands, there is a spacious pocket that can be filled by any number of rhythmic and harmonic ideas, not to mention a freedom in melodic phrases which don't have to be constrained by strict chordal structures. On ...
Fima Ephron: Hasidic Folk Song
by Mike Jacobs
Though it lacks many of the fascinating David Torn-produced, sonic manipulations strewn throughout Soul Machine (Tzadik, 2001), “Hasidic Folk Song" is emblematic of the ethno-electric-jazz explorations on bassist Fima Ephron's debut as a leader and a sizzler to boot. The track features Ephron's former Lost Tribe cohorts Adam Rogers and David Binney, as well as Edward ...
Chris Potter Underground: The Wheel
by Mike Jacobs
Saxophonist Chris Potter has struck gold with many of his lineups but his Underground was indeed a special one, as this 2009 clip shows. With drummer Nate Smith, keyboardist Craig Taborn and guitarist Adam Rogers joining in, “The Wheel" turns and burns so, it may take a minute to notice the absence of a bassist but ...
Jazz Honors The Beatles
by AAJ Staff
All About Jazz is honoring The Fab Four in the year of the 60th anniversary of the release of their first album (Please Please Me). This collective tribute was originally published in September 2009--as a living document, we'll add more quotes & stories over time (see how-to in comments section). We also compiled a companion playlist ...
David Binney: Barefooted Town
by Josef Woodard
Continuing Saga of the Strong Seeker I remember distinctly during the 2007 Montreal Jazz Festival, sifting through and measuring up the usual blur of stimuli, seeking out the prizes among prizes in the program. In one corner, there was Wayne Shorter, in the finest of his performance I'd ever heard—playing up his suits as composer and ...
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