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Anthony Braxton
Born:
To his list of achievements and awards, Anthony Braxton may now add the 1994 MacArthur Fellowship: the so-called "genius" grant of (in his case) $300,000, awarded to individuals nominated for outstanding and original contributions to their field. The timing of this crowning achievement couldn't be better for Braxton's most recent professional goals: he is the founding Artistic Director of the newly incorporated Tri-Centric Foundation, Inc., a New York-based not-for-profit corporation including an ensemble of some 38 musicians, four to eight vocalists, and computer-graphic video artists assembled to perform his compositions. The ensemble's debut at New York's The Kitchen sold out the last and most of the first two of three nights, through the press excitement it generated; the reviews—in Down Beat and the Chicago Tribune (John Corbett), the Village Voice (Kevin Whitehead), and the New York Times (Jon Pareles)—ranged from positive to ecstatic. Most importantly, the musical success of the event inspired Braxton to pursue the "three-day and -night" program concept for this ensemble, including lectures/informances, and splinter chamber performances, around the world. The second New York event, indeed, expanded on the concept: The Knitting Factory presented six nights of Anthony Braxton and his music, in all the variety of its vision
Trillium X
Label: PMP
Released: 2025
Track listing: Act 1 – Voyage To The New World;
Act 2 – Robots Versus Humans;
Act 3 – The Three Sisters;
Act 4 – Four Disasters.
Quartet (England) 1985
Label: Burning Ambulance Music
Released: 2025
Track listing: Sheffield, Set 1: Composition 69B Composition 60 (+108C); Composition 110A (+108B); Composition
34; Sheffield, Set 2: Composition 105A; Composition 69N; Composition 40M; Bass solo (from
Composition 96); Leicester, Set 1: Composition 85 (+108D); Composition 69F; Composition 122
(+108A); Leicester, Set 2: Composition 69C; Composition 69O; Composition 116; Composition 40N;
Bristol, Set 1: Composition 69H; Composition 88 (+108C); Piano solo (from Compositions 1, 30-33)
Composition 23J; Bristol, Set 2: Composition 6A; Percussion solo (from Composition 96); Composition
115; Bass solo (from Composition 96) Composition 69J;
Bristol, Set 2: Composition 6A/Percussion Solo (from Composition 96); Composition 115/Bass Solo
(from Composition 96); Composition 69J; Southampton, Set 1: Composition 105B; Composition 40(O);
Composition 124; Composition 86; Southampton, Set 2: Composition 52; Collage Form Structure;
Composition 40F; Composition 108A;. All the Things You Are (Birmingham soundcheck); On Green
Dolphin Street (Birmingham soundcheck); Four (Bristol soundcheck); After the Rain (Huddersfield
soundcheck); All the Things You Are (Coventry soundcheck).
Tatsuya Yoshida / Martín Escalante: The Sound of Raspberry
by Mark Corroto
This LP may be the revelation of 2025--or a sonic ordeal, depending on your tolerance for noise and your grasp of history. Japanese drummer Tatsuya Yoshida and Mexican saxophonist Martín Escalante met at the perfect moment in December 2023 to record 14 tracks at Tokyo's Bar Aja. The result, The Sound of Raspberry, is the love ...
Latin Sounds from the Catskills + New Releases
by David Brown
First up, Sonny Rollins our man in jazz, a live free-form date recorded 63 years ago this week at the Village Gate, NYC; from there, we move into a summer set of sounds from the NY Catskill mountains via the 50s Latin jazz craze with Johnny Conquet and his Orchestra, vocalists Ruth Wallis and Abbe Lane ...
Alexander Hawkins: Song Unconditional
by John Sharpe
Where on the first solo outing by British pianist Alexander Hawkins, Song Singular (Babel, 2014), his influences strode in plain sight, and the second, Iron Into Wind (Intakt, 2019), in its austerity, nodded toward Hawkins' classical schooling, Song Unconditional feels simultaneously more personal and more welcoming. It finds Hawkins not only consolidating the vocabulary of his ...
Andrew Hill, Ralph Burns, Joe Henderson
by David Brown
In the set I'd like to remember jazz pianist/composer Andrew Hill who was born 94 years ago on June 30, 1931. Hill's music defied categorization for over four decades with its enigmatic and sophisticated musical style. Tracks include two Hill works, a cover by drummer Chad Taylor and a collaboration with pianist Jason Moran. New releases ...
Three-Layer Cake: Sounds The Color Of Grounds
by Mark Corroto
The trio of Mike Watt, Brandon Seabrook and Mike Pride began as a pandemic-era experiment, exchanging music files remotely to create Stove Top (RareNoise, 2021). Now, as Three-Layer Cake, they return with Sounds The Color Of Grounds, a record that reveals a fully realized and cohesive jazz-punk--or perhaps punk-jazz--ensemble. Watt, etched into punk rock's ...
Piano Four-té: Keyboard Masters Delight On A Quartet of ECM Luminessence Vinyl Reissues
by Joshua Weiner
Blue Note. Verve. Impulse! Prestige. Just saying the name of such storied jazz record labels immediately conjures up each one's distinct aesthetic, from the music to the cover art. Over the past half century, the German ECM label has earned its place in this pantheon by steadfastly following its own vision, perhaps best summed up by ...
Jason Kao Hwang: Soliloquies, Unaccompanied Pizzicato Violin Improvisations
by Mark Corroto
Violinist Jason Kao Hwang is the kind of collaborator every creative improviser dreams of having. His résumé reads like a who's who of avant-garde jazz, including partnerships with Butch Morris, Henry Threadgill, William Parker, Ivo Perelman, Anthony Braxton, and Steve Swell, among others. Hwang's musical versatility and deeply intuitive improvisational sensibility have made him a sought-after ...
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