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Dave Brubeck
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Brubeck's mother studied piano in England and intended to become a concert pianist; at home she taught piano for extra money. Brubeck was not particularly interested in learning by any particular method, but preferred to create his own melodies, and therefore avoided learning to read sheet music. In college Brubeck was nearly expelled when one of his professors discovered that he could not read sheet music. Several of his professors came forward arguing for his ability with counterpoint and harmony, but the school was still afraid that it would cause a scandal, and only agreed to let Brubeck graduate once he promised never to teach piano
At The Deer Head Inn: The Complete Recordings
by Joshua Weiner
Pianist Keith Jarrett is the only artist with his own subheading on the main menu of ECM Records' new US website. That attests to his fruitful association, beginning in 1971 and continuing to the present day, with the independent German label known for its dedication to artistic freedom and beautiful sound. Though a series of strokes ...
Cal Tjader: Amazonas
by Richard J Salvucci
Multi-instrumentalist Cal Tjader has been gone for over forty years. Had he lived, he would be in his nineties today. The West Coast scene he entered, first as a drummer, then as a vibraphonist, was a world of clubs, acoustic bands, and enthusiastic promoters who pushed their favorite artists' careers. For Tjader, it was San Francisco, ...
Why Is Japan a Jazz Paradise? Part 2—From Sake to Soul: Jazz Musicians and Their Love for Japan
by Atzko Kohashi
Part 1 | Part 2 In May 2025 Japan welcomed an estimated 3.693 million visitors, marking a surge in global fascination with the country--up 125% (more than double!) compared to a decade ago. Many come for the exquisite Japanese cuisine, the tranquil atmosphere of temples and shrines, the ultra-modern buzz of Tokyo, or the ...
Tantilla's Majestic Grip on Richmond's Scene
by Troy Hoffman
The “South's most beautiful ballroom," Tantilla Gardens, at 3817 W. Broad Street, in Richmond, Virginia, was an acoustically treated structure built by the Byrd Theatre Group in 1933. The building stretched a block long, featuring nightly dancing, along with the Nation's greatest dance orchestras. This all took place on the second floor, atop Tiny Town Bowling ...
Kasper Rietkerk: The Happy Worrier
by Neil Duggan
The Happy Worrier is the second album from saxophonist Kasper Rietkerk. Originally from the Netherlands, Rietkerk has become a firmly established figure in the UK jazz scene since completing his master's degree at London's Royal Academy of Music in 2023. The album's creation was made possible through Rietkerk's receipt of the inaugural Brubeck Living ...
Chad Eby: A Closer Look at His Life, Work, and Tribute to a Legend
by La-Faithia White
Saxophonist Chad Eby has been a vital presence in the North Carolina jazz scene. Since 2006, he has served as Associate Professor in the Miles Davis Jazz Studies program at the university of North Carolina at Greensboro, where he plays a key role in shaping the next generation of jazz musicians. In addition to his work ...
Ches Smith: Clone Row
by Vic Albani
Giù il cappello ancora una volta. Ches Smith è davvero un meraviglioso esempio di intelligenza e--dopo il bellissimo capolavoro dedicato al Voodoo (Path of Seven Colors) pubblicato con Pyroclastic nel 2021, ma anche Laugh Ash del 2024--tira fuori dal cappello un'altra meraviglia affrontando un'autentica destrutturazione di un super quartetto con tanto di due chitarre (Mary Halvorson, ...
Tessa Souter: Making Connections Between Erik Satie, Jazz, and Personal Identity
by Victor L. Schermer
New York-based vocalist Tessa Souter is deservedly treasured among jazz fans, critics and musicians alike. Equally effective performing live and on her several fine recordings, she is a jazz singer who combines the sonority, vocal range and discipline of a classical mezzo soprano with subtle and sultry jazz inflections. Everything she sings is well thought out ...
OJC Odds & Ends: From Cal Tjader to Mal Waldron
by C. Andrew Hovan
Once the vinyl renaissance confirmed that record labels could bring in a steady income just by tapping their holdings, they began combing their archives to fuel a steady stream of reissues. With a catalog of more than 1.2 million songs, Concord Records was uniquely positioned to capitalize on this resurgence. Its Craft Recordings subsidiary has emerged ...
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