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Jeff Beck
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Jeff Beck isn't your typical guitar legend. His goal, in fact, is to make you forget that he plays guitar.
"I don't understand why some people will only accept a guitar if it has an instantly recognizable guitar sound," says Beck."Finding ways to use the same guitar people have been using for 50 years to make sounds that no one has heard before is truly what gets me off. I love it when people hear my music but can't figure out what instrument I'm playing. What a cool compliment."
Beck burst onto the music scene in 1966 after joining the Yardbirds. Although his stint with the band lasted only 18 months, Beck played on almost all of the group's hits. More importantly, Beck's innovative style heard on classics like "Heart Full of Soul" and "Shapes of Things" helped influence the psychedelic sound of the "60s.
Improvisation Versus Composition
by Robert J. Lewis
What is it that attracts music lovers to jazz (improvised music)? Is it the loose structure, or the beat or the notes and melodies we have never heard before and will never hear again, unless the performance has been recorded? Or is it the musician's uncanny ability to spontaneously translate feelings that inform the notes into ...
Will Brahm: Distance to Empty
by Karan Khosla
Distance to Empty is a phrase that carries a familiar feeling--something you might glimpse glowing on the dashboard as you pull away from a final pit stop before a long journey. Will Brahm, metaphorically and musically, poses these questions: How far can you go with what you have? What is left in the tank? What is ...
The Session Man: Nicky Hopkins
by Doug Collette
Nicky Hopkins The Session Man Alan Fergurson2025 The very title of Mike Treen's film The Session Man: Nicky Hopkins understates the singular stature of the documentary's subject. Nicky Hopkins was a British keyboardist/composer who played on over two-hundred vintage era recordings by genuinely iconic musical figures of contemporary rock like the ...
Various Artists: A New Awakening: Adventures in British Jazz 1966-1971
by Peter Jones
Throughout the 1950s (and beyond), modernist British jazz musicians were in thrall to the American bebop stars they had been trying to emulate since the late 1940s. It was the pinnacle to which they aspired, and gradually their efforts lifted the overall standard of UK jazz. But by the early 1960s, the international success ...
Fantasy Box Set League
by Patrick Burnette
Box sets are back, baby! Some of us old timers thought they might be gone for good after the CD crash (remember when Joe Henderson's The Milestone Years was going for twenty-bucks at your local mall?) But companies have realized that for those happy few who continue collecting “physical media," the big-ole stack of music still ...
The Bad Plus: Complex Emotions
by Mike Jurkovic
For those out there who may have inadvertently thought The Bad Plus had nothing major left to say after two-plus decades of saying major things, guess again. Because Complex Emotions--their sixteenth statement of purpose--doubles down and ups a hundred. Proof positive is how guitarist Ben Monder's valedictory “LiPo"--equal parts biblical wind and prairie sandstorm--sleigh ...
At Monterey Jazz Festival 67, Jazz Gospel According to a New Head
by Josef Woodard
Monterey Jazz Festival Monterey, CA September 27-29, 2024 Getting a semblance of a summarizing angle on a densely-programmed jazz festival, which the 67th Monterey Jazz Festival most certainly was, can be tricky business. The equation gets more complex with a festival geared towards covering many genre and sub-genre bases within ...
Souvik Dutta: 20 Years of Abstract Logix
by Mike Jacobs
If you are a music lover, you may already know the name Souvik (pronounced show-vik) Dutta. Over the last 20 years, he has taken his Abstract Logix enterprise from a pre-YouTube streaming platform to a music retail website to a niche imprint to a respected independent label boasting a top-tier roster that includes the likes of ...
Blues With A Feeling: Luther Dickinson & JD Simo; Charlie Hunter & Jubu Smith; Mick Fleetwood & Jake Shimabukuro
by Doug Collette
The blues is more about feel than form, but even so, the genre has its readily-recognizable structures. The A-A-B lyric format, shuffles in varying tempos and the 12-bar configuration are all stock-in-trade frameworks. Still, the essential simplicity of the blues lends itself to innumerable variations and so it is with these contemporary collaborative works of Luther ...
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