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Miles Davis
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Throughout a professional career lasting 50 years, Miles Davisplayed the trumpet in a lyrical, introspective, and melodicstyle, often employing a stemless harmon mute to make hissound more personal and intimate. But if his approach to hisinstrument was constant, his approach to jazz was dazzlinglyprotean. To examine his career is to examine the history ofjazz from the mid-'40s to the early '90s, since he was in thethick of almost every important innovation and stylisticdevelopment in the music during that period, and he often ledthe way in those changes, both with his own performancesand recordings and by choosing sidemen and collaboratorswho forged the new directions. It can even be argued that jazzstopped evolving when Davis wasn't there to push it forward.
Doo-Bop-A-Lu-Wah: The Musical!
By Miles Davis
Label: Kick-a-Verse
Released: 2025
Track listing: Overture; The Doo-Bop Song; Chocolate Chip; Chocolate Chip (reprise); Rappin' Is
Fun-damental; Vanilla Brownie; Duke's Beauty; Sonya (and Jane and Loretta and
Alice); On the Next Corner; Blow; My Funny Snickerdoodle; I Said Hands Off My Chocolate
Chips, Mothe$(@*&^%#; Mystery; Fun-Damentally Freaky; Fantasy; The Next Mystery;
Another Doo-Bop Song (I Mean It (Again)); Softly As In a Morning Sunrise.
Miles '55: The Prestige Recordings
By Miles Davis
Label: Craft Recordings
Released: 2025
Track listing: I Didn't; Will You Still Be Mine; I See Your Face Before Me; A Night in Tunisia; A Gal in Calico; Dr. Jackle; Bitty Ditty; Minor March; Changes; Stablemates; How Am I To Know/ Just Squeeze Me; There Is No Greater Love; The Theme; S'posin.
Jim Witzel Quartet: Very Early (Remembering Bill Evans)
by Troy Dostert
While tributes to pianist Bill Evans have certainly not been in short supply over the years, he has unsurprisingly been given far more attention by pianists than from other instrumentalists. Efforts from guitarists have been particularly rare. There are some noteworthy exceptions: John McLaughlin took a stab at it in 1993 with Time Remembered (Verve) alongside ...
At The Deer Head Inn: The Complete Recordings
by Joshua Weiner
Pianist Keith Jarrett is the only artist with his own subheading on the main menu of ECM Records' new US website. That attests to his fruitful association, beginning in 1971 and continuing to the present day, with the independent German label known for its dedication to artistic freedom and beautiful sound. Though a series of strokes ...
Kelly Blue
by C. Michael Bailey
The classic Wynton Kelly Trio comprised Kelly on piano, bassist Paul Chambers, and drummer Jimmy Cobb. Besides being Kelly's most stable trio, this rhythm section provided the underpinning for several important recordings and tours for Miles Davis in the late '50s and early '60s. These include Kind of Blue (Columbia Records, 1959) and Davis' 1960 European ...
George Coleman: George Coleman with Strings
by Jack Kenny
The allure of recording with strings has captivated many jazz icons, from Stan Getz and Dizzy Gillespie to, most famously, Charlie Parker. For some, it is a pursuit of a different kind of respectability, an envying nod to the classical world. For George Coleman, a revered NEA Jazz Master, it was a chance to expand his ...
Nick Finzer: The Jazz Orchestra Volume 1
by Carl Medsker
Listening chronologically to seven of Nick Finzer's preceding albums is enlightening and entertaining, making several aspects of his musicianship abundantly apparent. His trombone sound is full and expressive, his playing melodious and he can soulfully sing a ballad. Six albums, dating back to 2013, featured his highly talented sextet, a significant accomplishment that enhances the depth ...
George Coleman: George Coleman with Strings
by Dan McClenaghan
Tenor saxophonist George Coleman decided to leave the orbit of trumpeter Miles Davis in 1964. Or he got an elbow to the ribs and a hip check to leave the quintet, to be replaced by Wayne Shorter in the saxophone slot. Three top-notch live albums came out of the group that featured Coleman: In Europe: Live ...
Olga Amelchenko: Howling Silence
by Andrew Hunter
Olga Amelchenko, the Russian born, Paris based saxophonist and composer, is joined here on her fourth recording as leader by a strong ensemble with members old and new. Jesus Vega has been playing drums with Amelchenko for a long while. Canadian guitarist Matthew Stevens, who did such great work with Walter Smith iii, is a new ...
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