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A Brief Guide To Ukrainian Jazz: Part 1

Courtesy Serhiy Sarakhanov
The history of jazz in Ukraine can be traced fairly precisely according to academic, literature teacher and jazz journalist Alexander Yudin. Writing in The History Of European Jazz: The Music, Musicians And Audience in Context (Equinox Publishing, 2018), Yudin credits Yuliy Meitus with leading the country's first jazz band. Meitus' band, which consisted of vibraphone, violin, drums and percussion, reportedly gave the first jazz concert in Ukraine on December 29, 1925. The concert took place in Kharkiv, "with the band playing popular European songs and also original compositions."
No doubt the Ukrainian jazz of a century ago sounded quite a bit different to the Ukrainian jazz of today. Not that it is really possible to speak of a Ukrainian jazz sound, so diverse is the music emanating from this vast country of 33 million inhabitants. Ukrainian folk music does provide one source of inspiration for many Ukrainian jazz musiciansand perhaps increasingly so since the Russian invasion of 2014 and the escalation into all-out war that began in 2022but American jazz from bebop to hard-bop, and from free-jazz to big-band swing, European classical, electronica, free-improvisation and rock also inspire today's jazz musicians in Ukraine.
As the title of this article suggests, this is not intended as a deep dive into the history of Ukrainian jazz (the chapter on Ukraine in aforementioned book is an excellent starting point) but rather a rough guide to some of Ukraine's most outstanding contemporary jazz musicians and ensembles. Most of the musicians featured were born after Ukraine achieved independence in 1991 upon the dissolution of the Soviet Union.
In addition to highlighting key Ukrainian jazz figures, both those living in Ukraine and those based abroad, this multiple-part series on Ukrainian jazz will also draw attention to the country's jazz clubs and jazz festivals, the music's promoters and its champions. A separate article will examine the effects of Putin's war on Ukraine's jazz ecosystem, with an emphasis on the positive, that is to say, the inspiring activism, creativity and solidarity that the Ukrainian jazz community has responded with, in the face of a brutal, existential war.
Dennis Adu


Dennis Adu
trumpetb.1987

Alex Sipiagin
trumpetb.1967

Joe Magnarelli
trumpetb.1960
Heading ensembles both small and large, Adu's international collaborations include

Linda May Han Oh
bass, acousticb.1984

Wayne Escoffery
saxophone, tenorb.1975

Gregory Porter
vocalsb.1971

Frank Lacy
tromboneb.1959

Curtis Fuller
trombone1934 - 2021

Seamus Blake
saxophoneb.1970

John Hollenbeck
drumsb.1968
"Apple Seeds" from Adu's second album, Sunlight Above The Sky (LabelWhoAble, 2021) is a handsome showcase for Adu's all-round skills as a composer, arranger and musician. There are notable solos from tenor saxophonist

Lucas Pino
saxophone, tenorb.1987

Glenn Zaleski
pianob.1987
Konstantin Ionenko


Konstantin Ionenko
bassb.1979
Deep Immersion, a lively hard-bop affair features alto saxophone Dmitri Shlelein, Dennis Adu on trumpet and flugelhorn, pianist Pavel Litvinenko and Pavel Galitsky on drums. In his review, AAJ's Bud Kopman had this to say: "subtle, inviting and yet vaguely dangerous ... Ionenko's music is deeply felt." Flow drew effusive praise from Karl Ackermann, who described it as "world class music... a distinctly modern and deftly textured crafting of classical elements and European chamber jazz."
From Deep Tone Project's third album, Onward (Fresh Sound New Talent, 2016) we offer "Dubious Pleasure," which balances chamber-esque refinement and unharnessed energy. First-rate solos from tenor saxophonist Victor Pavelko and guitarist Aleksandr Pavlov set sparks flying, while Ionenko on electric bass and Pavel Galitsky on drums provide unobtrusive yet lithe rhythms that are fundamental in providing the music with its edge.
Kateryna Ziabliuk


Kateryna Ziabliuk
piano and vocalsb.1999
At times her approach to the piano echoes

Cecil Taylor
piano1929 - 2018
Kamila Drabek
bassPatrycja Wybrańczyk
drumsIn 2021 Ziabliuk gave a solo concert at the Enjoy Jazz Festival in, Germany. "Piper's Melody" from the resulting live album Live at Enjoy Jazz Festival finds Ziabliuk in tantalizingly explorative mood. A left-hand motif provides the ballast while her right roams freely and playfully, intoning the blues, flirting with stride, climbing and tumbling, always dancing.
Danylo Vinarikov


Danylo Vinarikov
saxophone, tenorMisha Lyshenko
keyboardsDima Lytvynenko
drumsFor its sophomore outing, Industrial Song (2020), the core trio was augmented by trumpeter

Yakiv Tsvietinskyi
trumpetb.1991

Konstantin Ivchuk
guitar
Serhii Artemov
bassVinarikov, who also leads the Dnipro Big Band, perhaps felt the limitations of the trio format, as shortly afterwards he changed the name to Danylo Vinarikov Ensemble. From Industrial Song "Zeppelinstrasse" highlights both Vinarikov's compositional sensitivity as well as his chopsmeasured, lyrical and affecting.
Alina Bzhezhinska



Dorothy Ashby
harp1932 - 1996

Alice Coltrane
piano1937 - 2007
Bzhezhinska's short but stellar discography got off to a flyer with Inspiration (Ubuntu Music, 2018), her thrilling tribute to Alice Coltrane, with saxophonist

Tony Kofi
saxophone, tenorb.1966

Larry Bartley
bassJoel Prime
percussionWriting on Bzhezhinska, the late, great Chris May opined: "Bzhezhinska has a formidable technique which includes conjuring an unusually wide range of timbral qualities from the often monochrome harp. She is further equipped with something you cannot learn: soul, which she has in spades." High praise indeed.
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