Home » Jazz Articles » Live Review » Al Di Meola at Dimitriou’s Jazz Alley
Al Di Meola at Dimitriou’s Jazz Alley

Courtesy Jack Gold-Molina
The rhythm ebbed and flowed like a tide, the trio working together to create complex tapestries through velocity and dynamics.
Al Di Meola
guitarb.1954

Sergio Martinez
percussionThe set consisted of acoustic music that Di Meola has performed throughout his career as well as a tune by

The Beatles
band / ensemble / orchestraThe evening began with a low-key build-up to the mid-tempo composition "Ballad," guitars overlaying a percussive undercurrent. The music continued developing in complexity, its form at times reminiscent of

Return to Forever
band / ensemble / orchestra"Fandango" opened as a guitar duet, Di Meola leading with bursts of speed and agility, his picking fluid and relaxed. Improvising and laying back into the rhythm augmented by percussion, the trio brought the music to crescendo. Turning the corner back to the theme and melody, Di Meola ended the tune with a run of explosive speed.
In contrast, "Milonga Noctiva" from 2018's Opus also began as a slow, melodic guitar duet conveying emotional depth. Martínez playing kit and bongos with his hands, the rhythm ebbed and flowed like a tide, the trio working together to create complex tapestries through velocity and dynamics.
On "Um Anja," after a slow lead-in by Di Meola, he and Alfonsi traded melodic lines that intertwined like braiding, shifting like daylight changing in late afternoon.
Di Meola introduced "Ava's Dream Sequence Lullaby" stating that it was inspired by a time when his daughter was five years old. The music emanated in the moment like a child walking and finding her way, Di Meola playing with expressive tonal sustain.
The final tune in the set, Di Meola introduced "Mediterranean Sundance" with a story about how, while he was studying at Berklee, he had gotten really stoned and recorded a cassette tape of some of the most intense playing he had ever done. A friend of his had heard that

Chick Corea
piano1941 - 2021

Earl Klugh
guitar, acousticb.1953
Corea called Di Meola at home and asked him if he would like to join without even an audition. Corea explained that they had an upcoming show at Carnegie Hall and they needed a guitarist. Di Meola initially thought it was a prank but he accepted the gig, the band performing an explosive set then proceeding to tour the US.
While touring Europe, Di Meola discovered the music of

Paco de Lucia
guitar1947 - 2014
Throughout the course of the evening Di Meola and Alfonsi improvised and switched off playing runs, the guitarists comping and soloing off of Martínez's percussion playing. Di Meola and the other two musicians in his trio are obviously as much scholars as masters of their respective crafts. While his albums are documents of his fine compositional skills, there is no substitute for seeing him perform live.
Tags
Live Review
Al Di Meola
Jack Gold-Molina
United States
Washington
Seattle
Peo Alfonsi
Sergio Martinez
The Beatles
Gordon Lightfoot
Return To Forever
Chick Corea
Earl Klugh
Paco de Lucia
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Al Di Meola Concerts
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Al Di Meola
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Al Di Meola
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Oct
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AL DI MEOLA
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Kulturkirche Fontanestadt NeuruppinNeuruppin, Germany
Oct
24
Fri

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Nov
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