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Various artists: Alligator Records: 50 Years of Genuine Houserockin’ Music
ByAlmost alone of the mid-major labels that formerly thrived in the 1980s and '90s by specializing in non-mainstream styles of music, Alligator has managed to navigate stunning changes in the music businessfrom the vinyl of LPs and 45s to cassettes and CDs, and then, most recently, the virtual collapse of the retail record business and wholesale pivot to online digital sales.
While those other specialty independentsfrom the folk label Rounder to the bluegrass-oriented Sugar Hill, the Bay Area rock label Fantasy to the Midwestern jazz label Telarcwere merging or being bought, Alligator has soldiered on doing its own thing, its own way.
That ability to chart its own course may largely be attributed to what's found on this new 3-CD box set: Alligator did for late-20th Century blues what labels like Blue Note, Verve, Riverside and others did for mid-century jazz: Not only gave it a home, but celebrated it. Loved it, really.
Just as
Norman Granz
b.1918Alfred Lion
producer1908 - 1987
Soon, Iglauer was recording other southside Chicago blues artists like

Koko Taylor
vocals1935 - 2009

Big Walter Horton
harmonica1917 - 1981

Son Seals
guitar, electric1942 - 2004
It wasn't just that Iglauer signed some of the better, more popular and creative musicians on the blues scene: The quality of the recordings was as good as anything the major labels were doing. Releases on Alligator sounded clean. And Iglauer promoted the heck out of his releases.
Not only did Alligator issue some of the more popular blues albums, but Iglauer helped promote the blues as a whole in other ways. He became a major supporter of Living Blues magazine, taking out a full-page ad every month in the form of a letter from Iglauer to fans of the bands he was recording.
Other labels sprang up to take part in this blues renaissance that Alligator had helped to spur: Antone's, Earwig, Black Top. While all helped document and promote the blues, none could eclipse Alligator. (Of all the major competitors that came along after Alligator, only Earwig has also been able to remain independent through all the industry changes. Delmark and Arhoolie, which predated Alligator, also remains active, vitaland independent today.)
Alligator has issued similar anniversary collections at its 20, 25, 30 and 40-year marks, and the 50th anniversary set does include some duplicates found on the earlier compilations. Plus, serious, longtime blues collectors will already have many of these tracks on the original releases by the artists. But that doesn't mean this isn't worth picking up: The 58 tracks on the CD version are one of the best single-label compilations you're likely to find. It's not a definitive history of the blues, but it's a pretty darn good overview of the last 50 years, telling the Alligator story in roughly chronological order, from Hound Dog Taylor's "Give Me Back My Wig" from hisand the label's1971 debut, through other '70s stalwarts like Koko Taylor (no relation),

Albert Collins
guitar, electric1932 - 1993
The '80s brought the groundbreaking, Grammy-winning Showdown! (1985)one of the first "summit" records that assembled a cast of multiple stars for a loose, informal session: This one featured Collins,

Johnny Copeland
guitar, electric1937 - 1997

Robert Cray
guitar, electricb.1953
Showdown! changed Alligator's fortunes, and made all-star summit albums de rigeur for everyone from John Lee Hooker to

B.B. King
guitar, electric1925 - 2015

Carlos Santana
guitarb.1947
Early roots figures like

Lonnie Mack
guitar and vocals1941 - 2016
Roy Buchanan
b.1939
Johnny Winter
guitar, electric1944 - 2014
But what defined Alligator in the 1980s and '90s were homegrown stars like
Smokin' Joe Kubek
guitarb.1956

Lil' Ed & The Blues Imperials
band / ensemble / orchestraNot every artist spent their entire career on Alligatorbut an awful lot of established, influential blues musicians did find their way to Alligator for at least an album or two:

Marcia Ball
pianob.1949

Mavis Staples
vocalsb.1939

Billy Boy Arnold
harmonicab.1935

Elvin Bishop
guitar, electricb.1942

James Cotton
harmonicab.1935
And while Alligator's roots and much of its catalog are grounded in post-war Chicago blues, Iglauer and Alligator have never gotten stuck into any one style: Staples' is a gospel and R&B singer, Cephas & Wiggins' brand of blues was in the Carolinas' Piedmont style, Hunter and

Clarence Gatemouth Brown
guitar1924 - 2005

Kenny Neal
guitar, electricb.1957

CJ Chenier
accordion
Clifton Chenier
accordion1925 - 1987
Even some of the acts Alligator "discovered" were breaking new stylistic ground: " data-original-title="" title="">Kinsey Report had as much hard rock in its music as blues; Michael Hills' Blues Mob was closer to

Living Colour
band / ensemble / orchestrab.1984

Muddy Waters
guitar1915 - 1983

Dave Hole
guitar and vocals
Stevie Ray Vaughan
guitar1954 - 1990

Shemekia Copeland
vocalsb.1979

Bonnie Raitt
guitar and vocalsb.1949
Even as the music industry has changed, with music shops and distributors giving way to mobile apps, Alligator hasn't just survivedbut continues to sign new artists, to carry the blues forward.
In the last decade, Alligator has signed up-and-coming artists including

Selwyn Birchwood
guitar
If there's a hole in this collection, it's the absence of any of the reggae albums Alligator branched out into in the early 1980s. But those are all out of print, and it may be that Iglauer gave or sold the rights back to the artists when he got out of the reggae business. Still, some major reggae heavyweights issued albums on Alligator, including " data-original-title="" title="">The Abyssinians, Joe Higgs, " data-original-title="" title="">Pablo Moses & The Handcart Band and The Skatalites.
What this collection makes most clear is that for all the hall of fame glamor attached to many of the tracks found here, Iglauer isn't done quite yetand as long as Alligator is around as an independent label, it's likely to be the standard by which blues albums are judged. ">
Track Listing
DISC 1: Give Me Back My Wig (Hound Dog Taylor & The Houserockers); I'm A Woman (Koko Taylor); Have Mercy (Big Walter Horton with Carey Bell); Somebody Loan Me A Dime (Fenton Robinson); It’s My Fault, Darling (Professor Longhair); Telephone Angel (Son Seals); Lights Out (Johnny Winter); Blue Monday Hangover (Albert Collins); Little Car Blues (James Cotton); The Dream (Albert Collins, Robert Cray & Johnny Copeland); Pawnshop Bound (William Clarke); Ridin' the Blinds (Live) (Lonnie Mack); Cold Lonely Nights (Live) (Lonnie Brooks); Soul Fixin’ Man (Live) (Luther Allison); Got My Mojo Working (Clarence "Gatemouth" Brown); Sloppy Drunk (Saffire–The Uppity Blues Women); That Did It (Roy Buchanan); Keep On Lovin' Me, Baby (The Paladins).
DISC 2: Love Disease (Michael Burks); I'm A Blues Man (Kenny Neal); Run Myself Out of Town (The Holmes Brothers); Jump Star (Little Charlie & The Nightcats); I'm Still Leaving You (Katie Webster); Don't Lose My Number (Smokin' Joe Kubek & Bnois King); Corner Of The Blanket (The Kinsey Report); I Got A Rich Man's Woman (Carey Bell); Au Contraire, Mon Frere (C.J. Chenier & The Red Hot Louisiana Band); There's A Devil On The Loose (Mavis Staples); Presumed Innocent (Michael Hill's Blues Mob); Not What You Said Last Night (Steady Rollin' Bob Margolin); Man Of Considerable Taste (Billy Boy Arnold): Ain't Seen My Baby (Cephas & Wiggins); Marfa Lights (Long John Hunter); Phone Line (Dave Hole): Josephine (Eric Lindell); I Won't Do That (Joe Louis Walker); That's What Love Will Make You Do (Janiva Magness); Going Back to Alabama (The Siegel-Schwall Band); Why Don’t You Live So God Can Use You? (Corey Harris & Henry Butler).
DISC 3: Party Town (Marcia Ball); What You See Is What You Get (Lil' Ed & The Blues Imperials); In A Roomful Of Blues (Roomful of Blues); Blue and Lonesome (Billy Branch & The Sons Of Blues); Outside of This Town (Christone "Kingfish" Ingram); Clotilda's On Fire (Shemekia Copeland); The Longer That I Live (Curtis Salgado); Living In a Burning House (Selwyn Birchwood); Midnight Hour Blues (Elvin Bishop & Charlie Musselwhite); Ain't No Fun (When The Rabbit Got The Gun) (The Cash Box Kings); Make It Back To Memphis (Live) (Tommy Castro & The Painkillers); A Woman (Live) (JJ Grey & Mofro); I'm Running (Rick Estrin & The Nightcats); You Didn't Think About That (Coco Montoya); Ice Cream In Hell (Tinsley Ellis); You Won't Have A Problem When I'm Gone (Chris Cain); Too Late (Guitar Shorty); The High Cost of Low Living (The Nick Moss Band featuring Dennis Gruenling); The Chicago Way (Toronzo Cannon).
Personnel
Koko Taylor
vocalsProfessor Longhair
pianoJohnny Winter
guitar, electricAlbert Collins
guitar, electricJames Cotton
harmonicaRobert Cray
guitar, electricMarcia Ball
pianoHenry Butler
pianoShemekia Copeland
vocalsCharlie Musselwhite
harmonicaJJ Grey & Mofro
band / ensemble / orchestraCoco Montoya
guitarAlbum information
Title: Alligator Records: 50 Years of Genuine Houserockin’ Music | Year Released: 2022 | Record Label: Alligator Records
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