Home » Jazz Articles » Album Review » Grand/Nebbia/Sánchez/Mendenhall/Fernández: Altered Visions
Grand/Nebbia/Sánchez/Mendenhall/Fernández: Altered Visions
ByAltered Visions is the inaugural release from Lilailia Records, a label founded by three artists: saxophonists

Maria Grand
saxophone, tenor
Marta Sanchez
piano
Kanoa Mendenhall
bass, acousticEach musician arrives with an impressive discography. María Grand first emerged alongside

Steve Coleman
saxophone, altob.1956

Mary Halvorson
guitar
Joel Ross
vibraphone
Angelica Sanchez
piano
David Murray
saxophone, tenorb.1955

Avishai Cohen
bassb.1970
The recording opens with Grand's and Nebbia's tenor saxophones intertwinednot in a conventional call-and-response, but as if two hearts were synchronizing into one pulse. That sense of entwined connection recurs as a throughline across this expansive composition. Even when Grand sets aside her horn, stepping forward with sung or spoken poetry, the ensemble sustains its collective weave. Mendenhall's deep, resonant pulse, Fernández's drums, bells, and cymbals, and Sánchez's luminous accompaniment serve as the architectural foundation for this improvised love fest.
Each player takes turns adding to the tapestry, which sometimes grows frenetic but always returns to the same braided intimacy. We hear two horns entwined, then voice and piano, piano and bass, piano and percussioneach permutation a variation on the theme of connection. This lather/rinse/repeat dynamic makes for a truly mesmeric experience.
Altered Visions is both a declaration and an invitation: a reminder that music built on trust and generosity can transform spontaneous sound into something as necessary and sustaining as love itself. ">
Track Listing
Wild Marks.
Personnel
Maria Grand
saxophone, tenorCamila Nebbia
saxophone, tenorKanoa Mendenhall
bass, acousticMarta Sanchez
pianoIago Fernández
drumsAdditional Instrumentation
Maria Grand: vocals, composition.
Album information
Title: Altered Visions | Year Released: 2024 | Record Label: Lilailia Records
Tags
Comments
PREVIOUS / NEXT
Support All About Jazz
