" data-original-title="" title="">Nik B?rtsch, the track reduces complex ideas into a streamlined two-part form. Its philosophical underpinning—a critique of Western overabundance and a call to focus on essentials—is mirrored in its musical clarity. The quartet's restraint here speaks volumes, demonstrating how reduction can amplify impact.

"In Shambles," another highlight by Tsiftsis, captures the frenetic pace of urban life, drawing on his time in New York. The piece moves through shifting tempos and harmonic progressions, reflecting the city's relentless rhythm. The track's structure mirrors adaptation, starting in a fast tempo that devolves into a more reflective section before building back to its original intensity. This cyclical movement evokes the ebb and flow of urban existence, brought vividly to life by the quartet's dynamic interplay.

One of the album's quieter yet impactful moments is "Dream Machine," inspired by Brion Gysin and Ian Sommerville's stroboscopic invention of the same name. Repetitive arpeggios on piano and a steady drum pulse create a trance-like atmosphere, allowing the melody to emerge gradually in a composition that feels almost meditative, inviting introspection without losing its grounding in jazz.

"Sketch" provides a contrast to the more meticulously constructed tracks. As Vagianos explains in the liner notes, it was composed quickly and deliberately left unfinished. This deliberate incompleteness imbues the track with a sense of spontaneity and imperfection, a reminder of the transient nature of artistic expression. It is a piece that feels personal and raw, offering a glimpse into the creative process.

The quartet's take on blues in "Blues" is anything but traditional. Vagianos stretches the form to its limits, using it as a framework for exploration. The familiar structure serves as a springboard for improvisation, showcasing the ensemble's ability to balance freedom and discipline. The result is a track that manages to honor tradition while pushing its boundaries. The album closes with "Nicotine," composed by Papadopoulos. It is a fitting end to the record, blending melancholic undertones with bursts of energy. The piece encapsulates the ensemble's collective voice, with each instrument contributing equally to the narrative.

Arbor's debut is not just an album—it is an invitation to engage with contemporary jazz on multiple levels. Each track tells a story, whether inspired by personal experiences, philosophical ideas or pressing environmental concerns. The quartet's strength lies in its ability to convey these themes through music that feels both intellectually stimulating and emotionally resonant.