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Armand Boatman Trio + Jim Cooper at Musicians Hall

By Patricia Myers
November 18, 2014
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Armand Boatman Trio + Jim Cooper
Musicians Hall/Phoenix Federation of Musicians Local 586 AFM
Phoenix, Arizona
November 4,2014

The sparkling piano style of

Armand Boatman

" data-original-title="" title="">Armand Boatman combined with the flashing mallets of longtime Chicago- area vibraphonist

" data-original-title="" title="">Jim Cooper in a quartet setting on Nov. 4 at the Phoenix Musicians Hall. From the opening lilt of "Almost Like Being in Love" to the closing Latin-flavored "Datura," both sets were a satisfying mix of standards and originals.

As always, Boatman thrilled listeners with his agile melodic and rhythmic shifts, often channeling his idol,

Oscar Peterson

piano
1925 - 2007

" data-original-title="" title="">Oscar Peterson. Although adept at replicating the late master's riffs, Boatman constantly injected inventive new elements. Cooper's mallets-style was less

Terry Gibbs

vibraphone
b.1924

" data-original-title="" title="">Terry Gibbs (flash and fire), more

Bobby Hutcherson

vibraphone
1941 - 2016

" data-original-title="" title="">Bobby Hutcherson (melodic and free-flowing). An imaginative improviser, Cooper delivered quicksilver solos and propulsive rhythms, playing most of the gig with two mallets. He has been playing vibraphone for 40 years as a soloist and sideman, performing with touring musicians and the

Chicago Jazz Ensemble

" data-original-title="" title="">Chicago Jazz Ensemble.

"Waltz for Betty," a Cooper original from his 1991 "Tough Town" album with multi-instrumentalist

Ira Sullivan

multi-instrumentalist
1931 - 2020

" data-original-title="" title="">Ira Sullivan, was enhanced by drummer

Dan Tomlinson

drums

" data-original-title="" title="">Dan Tomlinson's hands-only segment. A blur-speed bebop mode re-energized "Get Happy" as Boatman cut loose with three key-change modulations in two measures. Cooper used four mallets during a reinvention of "Girl Talk," complemented by acoustic bassist

Jack Radavich

bass
b.1953

" data-original-title="" title="">Jack Radavich's clever fret-sliding to punctuate his warm resonance.

Tenor saxophonist

Jerry Donato

saxophone

" data-original-title="" title="">Jerry Donato was invited on stage to join the quartet, adding fiery vigor to a stylish rendition of "I'll Remember April." The improvisation featured Boatman's vaulting runs and intriguing modulations, Radavich staying in THE treble range on bass to underscore Cooper's forceful vigor.

The second set opened with the swinging "Doxy" followed by "It's You or No One," both featuring imaginative musicality. A tender treatment of Jule Styne's "The Nearness of You" was illuminated by Donato's tenderly reflective solos. The evening closed with Cooper's Latin-rhythm original "Datura" (a hallucinogenic flower) that featured an intriguing polyrhythmic excursion by Tomlinson.

An audience of 50 attended the concert in this cozy performance space, another in an ongoing first-Tuesday series presented by the Phoenix Musicians Union Local 586 AFM. Upcoming concerts will feature a trombone choir led by Doug Robinson on Dec. 2 and jazz-blues organist Peter Zale on Jan. 6. All concerts are free at the hall, 1202 E. Oak St., Phoenix 85006.

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