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Eric Dolphy: Outward Bound To Out To Lunch Revisited

by John Eyles
Ask any jazz aficionado for their favourite jazz albums of the '60s and the chances are that, alongside such decade-defining choices as Jimmy Giuffre's Free Fall (Columbia, 1963), John Coltrane's A Love Supreme (Impulse, 1965), Andrew Hill's Point of Departure (Blue Note, 1965) and Albert Ayler's Spiritual Unity (ESP, 1965), they will select Eric Dolphy's Out to Lunch (Blue Note, 1964). Now the Dolphy classic has been reissued on Ezz-thetics alongside one of his older recordings, Outward Bound (Prestige, 1964), ...
Continue ReadingMcCoy Tyner / Freddie Hubbard Quartet: Live At Fabrik

by Chris May
Warning! Highly Flammable Material! This superb album, recorded in Hamburg in 1986 and never previously released, ought to come with a caution, so incendiary is it. Strictly speaking, Live At Fabrik presents pianist McCoy Tyner's trio with bassist Avery Sharpe and drummer Louis Hayes and guest artist Freddie Hubbard on trumpet and flugelhorn. In actuality, Hubbard's power-packed presence transforms the unit into a co-led quartet, as the cover art acknowledges. The 2 x CD album is, in ...
Continue Reading'70s sounds: Randy Weston, Freddie Hubbard + Goatface! and Ingebrigt H?ker Flaten

by David Brown
This week, Scandinavian sounds from both Linda Fredriksson and Ingebrigt H?ker Flaten, a slick '70s set from Randy Weston, Freddie Hubbard and Joe Henderson, then, a Latin groove takes over with Mongo Santamaria, Oscar Hernandez and more, and finally, zone out in Brazil with Goatface! Welcome friends and neighbors to The Jazz Continuum. Old, new, in, out... wherever the music takes us. Each week, we will explore the elements of jazz from a historical perspective. Playlist Linda Fredriksson ...
Continue ReadingFreddie Hubbard: Open Sesame

by Chris May
Blue Note's two 180gm vinyl-reissue series--Blue Note 80 and Tone Poet--continue on their enigmatic going on erratic, but mostly magnificent paths. Tone Poet is billed as the audiophile option but, on a fairly limited sampling of both series, there seems to be little, if anything at all, separating the two in audio terms. The key difference is that Tone Poet has the more luxurious, heavyweight packaging. Whatever. It is the music that countsand 22-year old Freddie Hubbard's 1960 label debut ...
Continue ReadingTina Brooks Quintet: The Complete Recordings

by Chris May
Mosaic Records' spring 2020 release The Complete Hank Mobley Blue Note Sessions 1963-70, the second of the label's box sets devoted to the copiously recorded (and rightly so) Hank Mobley, prompts thoughts of another of Blue Note's singular hard-bop tenor saxophone stylists. Unlike Mobley, Tina Brooks was woefully under-recorded, making just four albums under his own name. But like Mobley, Brooks had an instantly recognisable sound, was a spellbinding soloist and was also a gifted composer. In addition to his ...
Continue ReadingHank Mobley: The Complete Hank Mobley Blue Note Sessions 1963-70

by C. Andrew Hovan
The music world has changed considerably since Michael Cuscuna and Charlie Lourie founded their boutique reissue label Mosaic Records back in 1983. From its inception, vinyl was still the preferred format, shortly to be overtaken by the popularity of the compact disc. At the cusp of vinyl's recent resurgence, Mosaic briefly got back into that format only to find themselves on the brink of closing up shop. Fortunately, the powers that be have forged on and recent CD boxed sets ...
Continue ReadingFreddie Hubbard: At Onkel P?'s Carnegie Hall

by Stefano Merighi
Se si dovesse per gioco indicare un trombettista della storia del jazz che sintetizzasse tecnica strumentale, flessibilità espressiva, capacità mimetiche in relazione al contesto e ricchezza di curriculum forse la scelta cadrebbe su Freddie Hubbard. Il suo aplomb di giocatore era mirabile, valgano per tutte le sue apparizioni a fianco di John Coltrane, in Out to Lunch di Eric Dolphy, in Compulsion!!!!! di Andrew Hill. Come regista invece era ondivago, riuscendo ad inanellare imprese di vaglia ma anche accettando spesso ...
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