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Satoko Fujii Orchestra New York: Entity

by Neri Pollastri
Undicesimo album per l'Orchestra New York di Satoko Fujii, qui composta di tredici elementi, dei quali ben nove già presenti nel primo lavoro, South Wind, risalente al lontano 1997. Il disco è registrato nel maggio del 2019 ed è uscito già lo scorso anno, ma merita egualmente grande attenzione, in quanto si tratta di un lavoro di primissimo livello. Né poteva essere diversamente, considerando non solo la qualità media, altissima, delle produzioni della musicista giapponese, ma anche l'organico straordinario della ...
Continue ReadingIkue Mori, Satoko Fujii, Natsuki Tamura: Prickly Pear Cactus

by Neri Pollastri
Questo disco è un esempio dei molti lavori prodotti nel periodo della pandemia, pensati e realizzati a distanza, registrando le parti ciascuno nella propria casa e poi montandole" con l'uso di software e computer. I tre protagonisti erano appena rientrati in Giappone da un tour statunitense e da una registrazione a New York con il gruppo Kaze, quando l'esplosione del Covid-19 li costrinse ad annullare tutti i concerti in programma e a rinchiudersi nelle loro case. Una cosa ...
Continue ReadingNatsuki Tamura: Koki Solo

by Karl Ackermann
Birthday celebrations have found their way into jazz recordings since the Louis Armstrong era. Illinois Jacquet, Duke Ellington, Oscar Peterson, and Jaco Pastorius have directly baked the cake into album titles while other artists have taken an indirect approach to celebrating. Satoko Fujii broke the mold in 2019 with a new release each month in commemoration of her sixtieth birthday. Now her partner and frequent collaborator, Natsuki Tamura takes a page from Fujii's book with his solo recording Koki Solo. ...
Continue ReadingNatsuki Tamura: Koki Solo

by Dan McClenaghan
In 1983, pop vocalist Cyndi Lauper said, Girls Just Want to Have Fun." She probably still sings it. Trumpeter Natsuki Tamura has always wanted to have fun, too, playing--in his early days--jazz standards in Japanese clubs where hostesses in negligees sat at stage-side tables drinking room temperature tea masquerading as whiskey at the expense of ardent customers. From there, Tamura's artistry evolved to making trumpet noises that sound like a love sick duck, or a flatulent hedgehog (and so much ...
Continue ReadingNatsuki Tamura / Satoko Fujii: Keshin

by Dan McClenaghan
The Covid-19 virus tightened its grip on the world in 2020, bringing the old one door closes, another one opens" trope to mind. The door into touring, to presenting music in live venues, slammed shut. But the extra time afforded by the lack of live music opportunities let the recording studio doors swing wide open--especially in a time when the technology has made home studios a viable and relatively affordable option. Pianist Satoko Fujii's studio is located in ...
Continue ReadingSatoko Fujii / Ramon Lopez / Natsuki Tamura: Mantle

by John Sharpe
Japanese pianist Satoko Fujii rarely stands still. When she and Spanish drummer Ramon Lopez toured Japan in 2019 on the back of their duo album Confluence (Libra, 2019), they took the opportunity to add Fujii's partner trumpeter Natsuki Tamura to the line up. To make things fresher still, they set themselves a challenge: to each write a new piece for the trio every day. Mantle, recorded in the studio the day after the tour concluded, collects their favorite numbers, three ...
Continue ReadingNatsuki Tamura, Satoko Fujii and Ramon Lopez: Mantle

by Troy Dostert
Trumpeter Natsuki Tamura and pianist Satoko Fujii have made so many records together that it seems impossible to keep track of them all. Partners in life and in music, they have collaborated on everything from duo recordings to Fujii's large-scale orchestras. In 2020 alone, their Kaze quartet released Sandstorm (Circum-Disc) featuring electronics specialist Ikue Mori, and Mori teamed again with Fujii and Tamura on Prickly Pear Cactus (Libra). They also added another duo release, Pentas: A Tribute to Eric and ...
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