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Atlantis Trio at MutaMenti HK

Courtesy Blair Reeve
Tsuen Wan Town Hall
MutaMenti HK
Hong Kong
September 27, 2023
A lot of flak is (fairly) laid on the often clumsy, jarring aesthetics of "global-beat," "world fusion," or whatever you want to call it (terms I use sparingly and with reservation). But the truth is however earnest the expectation, however tasteful the application, melding musical traditions isn't always as seamlessly intuitive as the true masters make it appear. Music might be a universal language, but heavy accents and differing dialects mean not everyone is always understood.
This much was made clear by the well-meant but ultimately stunted Atlantis Triowhich piqued my interest with a line-up promising sitar and tabla paired with jazz piano. The two camps appeared symbolically at opposing ends of the stagethe music they made an earnest attempt to bridge the gap. But defined by its open tuning and immutable sympathetic strings, the sitar is necessarily restricted to a single chord. On both pianist's

Roberto Olzer
pianoA stately cover of

Jan Garbarek
saxophoneb.1947
Deobrat Mishra
sitarThe performance was the first of four hosted over two nights as part of MutaMenti HK, which saw the Italian festival brand transplanted to Hong Kong under the admirable Jazz in the Neighborhood initiative. Olzer remained onstage for the opening show's second half, a painfully polite tribute to

Ennio Morricone
composer / conductor1928 - 2020
Max De Aloe
harmonicaBowen Li
pianoTags
Live Review
Roberto Olzer
Rob Garratt
Hong Kong
Jan Garbarek
Deobrat Mishra
Ennio Morricone
Max De Aloe
Bowen Li
Atlantis Trio
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