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Ayn Inserto Jazz Orchestra at the Lilypad

By Doug Hall
November 19, 2018
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Ayn Inserto Jazz Orchestra
The Lilypad
Cambridge, MA
November 12, 2018

As a prot��g�� of legendary trombonist/arranger/composer

Bob Brookmeyer

trombone
1929 - 2011

" data-original-title="" title="">Bob Brookmeyer at New England Conservatory in Boston,

" data-original-title="" title="">Ayn Inserto was part of a very special tribute last March when she treated the audience to a pre-release performance of the title composition from her current release Down the Rabbit Hole (Summit Records, 2018). Fronting an orchestra of 17 plus seasoned and exceptional musicians, many of whom loyal to her since inception in 2001, Inserto delivered a powerhouse feat of playing the entire release in one set hour. To appreciate the physical challenges as well, one has only to picture a garage-sized space offered by the intimate, warm surroundings of the Lilypad jazz caf�� in Cambridge. Un-daunted and at ease, Inserto flawlessly conducted her stellar orchestra through a myriad of contemporary and experimental original compositions, finishing with a jazz-take on The Jackson Five's "I'll Be There."

The evening featured well established and renown jazz musician

John Fedchock

trombone
b.1957

" data-original-title="" title="">John Fedchock on trombone, along with award-winning bass trombonist

Jennifer Wharton

trombone, bass

" data-original-title="" title="">Jennifer Wharton, and Inserto's backbone trumpet and saxophone section that were in-sync and note-clean from her first conducting hand signal. Each piece was a part of a compositional story, with a carefully chosen conceptual framework. Inserto's inspiration for the title composition "Down the Rabbit Hole" came directly from her muse and heart, drawing inspiration from Lewis Carroll's Alice's Adventures in Wonderland (one of her husband's favorite books) and the remembrance of the period of time they were dating, and when she fell in love. In her pre-release performance at NEC in March of this year she explained her influence, "The Brookmeyer techniques I used for this piece were a combination of the pitch module and white noise exercise." It delivers a "musical cyclone," as Inserto's lively conducting compliments spirited horn solos and some frenetic fast paced tempos that add to the beat that drives this piece.

Other stand-out selections included "BJ's Tune," which offered a trumpet interlude solo creating a gorgeous and rich sound, (which on the recording, Inserto originally arranged to feature jazz trumpet great Sean Jones). The Ellingtonian "Mister and Dudley" offers a more relaxed strut that becomes a vehicle for trombonist John Fedchock with resonating, fluid-soft textured notes. The album's centerpiece is Inserto's two-part suite pairing "Ze Teach" with "And Me," a commission by Madison Technical College. The first piece is inspired by Brookmeyer (who signed off on notes to Inserto as "Ze Teach") while the second movement is a powerhouse statement driven by her sensational rhythm section with guitarist

Eric Hofbauer

guitar
b.1974

" data-original-title="" title="">Eric Hofbauer, pianist

Jason Yeager

piano

" data-original-title="" title="">Jason Yeager, bassist

Sean Farias

bass

" data-original-title="" title="">Sean Farias and drummer

Austin McMahon

drums
b.1981

" data-original-title="" title="">Austin McMahon—all serving to elevate the overall form of this piece.

Finally, to close the set in an hour and complete the full selection on Down the Rabbit Hole, Inserto chose her re-interpretation of the 60's pop-charting song "I'll Be There" by The Jackson Five which featured a gorgeous introduction by pianist Jason Yeager. A poignant take on Michael Jackson's vocal statement, with further horn instruments taking their turn with jazzy re-statements of the simple melody, both satisfying and allowing a certain older generation to hum along.

Inserto delivered a tour-de-force performance that evening with her personal journey Down the Rabbit Hole accompanied by an orchestra that was sharp and flexible. Inserto clearly at home in any environment, executing complicated orchestration of original jazz pieces in a small, tight venue for 17 plus musicians, who were more than up to the challenge of her demanding arrangements and constantly evolving tempo and musical narrative.

Photo Credit Penelope Santana

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