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Basic Beauty: Arthur Blythe on Columbia
ByTaken together, Blythe's nine albums for Columbia form a major achievement in jazz and the diversity and consistently high quality of the music make all these albums worth investigating.
Arthur Blythe
saxophone, alto1940 - 2017

Elaborations/Light Blue: Arthur Blythe Plays Thelonious Monk/Put Sunshine In It
BGO Records
2017
The second volume of Arthur Blythe on Columbia features three different albums that show the stylistic diversity of the saxophonist, who summed up his eclectic approach in an interview with

Ben Sidran
piano and vocalsb.1943
Kelvyn Bell
guitarBobby Battle
b.1944
Bob Stewart
tubab.1945

Abdul Wadud
cellob.1947
In fact, the idea of bringing in the tuba was both a step forward and a step back to the time where the tuba played the role of the bass. The same thing can be said about Blythe's music in general. It both looks back to the great sounds of tradition and looks forward to the future. It is not a coincidence that Blythe wanted original players with their own sound. He was not interested in repeating the past, but in playing the future through tradition. In the process, he escaped the trappings of the limiting clichés of genre. On Elaborations (1982) the music swings, screams, sings and bounces along to a joyful beat. There are breakneck chases in the spirit of Bird and relaxed strolls through strange landscapes of rhythm. Blythe travels everywhere and he even takes on the arabesque patterns of an Egyptian sound with mourning cello on "The Lower Nile."
The same band with Battle, Bell, Stewart and Wadud later taped an homage to

Thelonious Monk
piano1917 - 1982
"In Monk's compositions one encounters a very unique approach to the structure of the melodic line over the internal harmonic structure, which seems to float independently, accompanied by a rhythmic foundation most individual in nature. These three elements brought together horizontally set up a kind of vertical cross-rhythmic structure in time and space."
It is exactly this aesthetic that Blythe succeeds in translating congenially as the knotty, polyphonic rhythmic language of the band provides a distinct accompaniment to Blythe's original sound on the saxophone.
When Blythe two years later exchanged the sound of his band with the electronic pop landscape curated by pianist Todd Cochran on Put Sunshine In It (1985), he kept his own voice without succumbing too much to a smooth jazz aesthetic. Instead, it is exactly the contrasts between the slick funky luxury of Cochran's synthesizers and drum machines and Blythe's original exploration of smooth jazz tropes that provide the raisons d'être of the album. The raw, emotional sound of Blythe adds a vulnerable human touch to the perfection of the machines and the organic element is enhanced by the help of various musicians, including bassist

Alphonso Johnson
bassb.1951

Paulinho Da Costa
percussionb.1948

Da-Da/Basic Blythe
BGO Records
2018
When Blythe released the follow-up to Put Sunshine In It, he had shunned the commercial experiment of that particular record, but Da-Da (1986) still showed signs of its predecessor. It is hard to imagine a track like "Splain Thing" with its bombastic keyboard cascades and slap bass without the influence of Put Sunshine In It, but Da-Da also underlined that Blythe had found a new balance between experiments and commercialism. His strong reading of

John Coltrane
saxophone1926 - 1967
The idea of a great alto saxophonist wanting to do an album with strings is not surprising, just think of

Charlie Parker
saxophone, alto1920 - 1955

Art Pepper
saxophone, alto1925 - 1982
Just like Arthur Blythe is not an ordinary saxophonist, Basic Blythe is not a conventional album with strings. It contains the obligatory ballads, but also moves into more unpredictable rhythmic territory without breaking the emotional mood of the album (hear Blythe revisiting his composition "Faceless Woman" in the attached YouTube-video to hear an example of his dynamic work with strings). In the center of it all is Blythe's soulful and expressive playing. Simply said, Basic Blythe is just beautiful and a fitting end to his stay at Columbia.
Taken together, Blythe's nine albums for Columbia form a major achievement in jazz and the diversity and consistently high quality of the music make all these albums worth investigating. The reissues are done in the best possible way with original album art and liner notes and not least Charles Waring's superb new liner essays that draw on fresh interviews with participants from the albums.
Tracks and Personnel
Elaborations/Light Blue: Arthur Blythe Plays Thelonious Monk/Put Sunshine In It
Tracks: CD1: Elaborations; Metamorphosis; Sister Daisy; One Mint Julep; Shadows; The Lower Nile. CD2: We See; Light Blue; Off Minor; Epistrophy; Coming On The Hudson; Nutty; Tumalumah; Put Sunshine In It; Uptown Strut; Silhouette; #5; Sentimental Walk (Theme from "Diva")
Personnel: Arthur Blythe: alto saxophone; Bobby Battle: drums; Kelvyn Bell: guitar; Bob Stewart: tuba; Abdul Wadud: cello; Leon 'Ndugu' Chancelor: drums; Alphonso Johnson: bass, electric stick, bass pedal synth; Todd Cochran: synthesizer, Rhodes, keyboards, computer drums, synth bass; Michael O'Neill: guitar; Bruce Purse: OB8; Paulinho da Costa: percussion; Gerry Brown: drums; Stanley Clarke: bass.
Da-Da/Basic Blythe
Tracks: CD1: Odessa; Splain Thing; Esquinas (Corners); Crescent; Break Tune; After Paris. CD2: Autumn In New York (Part One); Lenox Avenue Breakdown; Heart To Heart; As Of Yet; Ruby My Dear; Faceless Woman; Autumn In New York (Part Two).
Personnel: Arthur Blythe: alto saxophone; Olu Dara: cornet; Cecil McBee: bass; John Hicks: piano; Bobby Battle: drums; Vincent Henry: bass, keyboards, guitar; Bob Stewart: electric tuba, special effects ; Bruce Purse: keyboards; Geri Allen: keyboards; Barnard Davis: drum program; Eric Rehl: synthesizer programmer; Gail Dixon & Akua Dixon: strings; Kelvyn Bell: guitar; Anthony Cox: David Nadien: violin; Jan Mullen: violin; Sanford Allen: violin; Paul Peabody: violin; Theodore Israel: viola; Jesse Levine: viola; Richard Locker: cello; Fred Zlotkin: cello.
Tags
Multiple Reviews
Jakob Baekgaard
Arthur Blythe
Bobby Battle
Bob Stewart
Abdul Wadud
Thelonious Monk
Todd Cochran
Alphonso Johnson
Paulinho Da Costa
Charlie Parker
Art Pepper
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