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Bela Fleck & The Flecktones: Bela Fleck & The Flecktones: Rocket Science
By
Rocket Science
E One Music Group
2011
Some say you can't go back, but that's not always true. Emerging from his formative years as a rising star in the blue/newgrass community, banjoist Béla Fleck lept onto a much bigger radar with the release of Béla Fleck & The Flecktones (Warner Bros., 1990), after forming the group in 1988. Stretching and, in some cases, breaking down the boundaries of jazz, bluegrass, classical music and much, much more, the group's debut and two subsequent releasesFlight of the Cosmic Hippo (1991) and UFO Tofu (1991), also on Warner Bros.positioned The Flecktones as virtuosos with mind-boggling chops, without ever losing site of the intrinsic musicality that made songs like "Sinister Minister," "Blu-Bop" and "UFO Tofu" so eminently appealing. Three years of cross-continent touring built a loyal audience, much as

Medeski Martin & Wood
band / ensemble / orchestrab.1991
But, as is often the case with groups that tour incessantly, lineups don't last forever. Having had enough of the relentless road, and wanting to spend more time with his family,

Howard Levy
harmonica
Victor Wooten
bassb.1964

Paul McCandless
woodwindsb.1947

Jeff Coffin
saxophoneb.1965

In the years since Levy's departure, everyone in the band has become a leader in his own right. Fleck, beyond the Grammy Award-winning The Flecktones, has released a slew of fine albums ranging from pure bluegrass to the especially moving Throw Down Your Heart (Rounder, 2009), where he returned to the banjo's roots in Africa, picking up another Grammy in the process. Wooten, in addition to his own growing discography as a leader, participated in S.M.V., a collaboration with two other bass heroes,

Stanley Clarke
bassb.1951

Marcus Miller
bassb.1959

Having another chordal instrument in the band also liberates Fleck from having to fill too many shoes. While he has used MIDI and looping technologies to create underlying harmonic movement in the post-Levy dayshis remarkable sleight of hand and foot on "Vix 9," from Three Flew Over the Cuckoo's Nest (Warner Bros., 1993), as good an example as anyLevy brings the expansive orchestral voicings that only a piano can...and a much more definitive jazz-centricity as well. The Flecktones has always been considered a jazz band as much as a jam band, but when Levy left, the harmonic center of the group shifted. On Levy's gentle "Joyful Spring," the ambience of his piano ties it more closely to a tradition that's always been an underlay to the group, but which has become increasingly distant in recent years, while Fleck's "Falling Forward" positively swings.
And while there's no shortage of soloing throughout the hour-long set, the easygoing camaraderie and competitiveness that made The Flecktones' early performances so uplifting and filled with positive energy is back. Solos fly back-and-forth throughout "Life in Eleven"a direct segue from "Joyful," and clearly co-written by Levy and Fleck as a context for plenty of friendly exchanges, with Wooten's combination of rapid-fire thumb-slapping, finger-popping funk, percussive harmonics and chordal inventions as impressive as ever; Fleck's light-speed picking and ability to ascend to exhilarating mini-climaxes a marvel; Levy's gritty harmonica and flurry-filled piano a constant source of wonder; and Futureman's playing anchoring the entire track while, at the same time, pushing and pulling his band mates to stretch for greater heights. Futureman, who no longer plays the Drumitar exclusively, gets to take a more extended solo during his own "The Secret Drawer," also incorporating his strange hybrid of drum kit and other percussion so big that it would probably take up the entire back of the van they used to use to transport both the band and its gear in its early days.
Some say you can't go back again, but with Rocket Science, clearly you can. Even the cover art harkens back to the cartoon covers of The Flecktones' early days. With The Flecktones hitting the road during the summer, there's a chance for those who missed the group in its formative years to really hear what all the fuss was about. And while every member of the group has become a better player in the years since they were last together in this incarnation, they've never played better as a group. Few reunions actually manage to successfully recapture the original magic and sound as if there is something new to say. Rocket Science puts Béla Fleck & The Flecktones back on the relevancy map; let's hope that Levy can stick around awhile, because if this album is any indication, there's plenty more in store.
Personnel: Béla Fleck: acoustic and electric five-string banjos; Howard Levy: harmonica, bass harmonica, piano; Victor Wooten: electric basses; Roy "Futureman" Wooten: drumitar and simultaneous acoustic drums and percussion
Tracks: Gravity Lane; Prickly Pear; Joyful Spring; Life in Eleven; Falling Forward; Storm Warning; Like Water; Earthling Parade; The Secret Drawer; Sweet Pomegranates; Falani; Bottle Rocket. ">
Personnel
Bela Fleck
banjoAlbum information
Title: Bela Fleck & The Flecktones: Rocket Science | Year Released: 2011 | Record Label: Unknown label
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