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Best Jazz Ghost Tracks and Other Spectral Jazz, Part 2
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We continue our exploration of great tunes thatfor a reason or anotherwere concealed to great effect but also never received the attention they deserved. We'll try to remedy that focusing on ghost-tracks, and other ghostly jazz. We were supposed to select ten tunes... but there were at least thirteen more, plus a couple more ghost-related tunes.Like on part 1 of this special, you can click on the embedded player to listen, look at the playlist below to learn where you can find these hidden tracks, and enjoy the background stories shared with us by musicians who have responded to one straight question: "Why did you choose to hide this great tune as ghost track?." Here is what they had to say.
Happy listening!
Thomas Johansson
trumpetb.1983

Cortex
band / ensemble / orchestrab.2011
"
data-original-title="" title="">Lukas Kranzelbinder, bassist of Shake Stew
"Like Water Falling Down with a Thousand Spirits" -Ghost Track on Gris Gris (Traumton): "Like Water Falling Down with a Thousand Spirits" comes at the end of a very intense album like Gris Gris. We wanted to introduce a long silence as solemn end to a long multilayered album of intense music, before entering into the hypnotic and meditative sounds of the ghost track that acts as the band's musical exhale after a breath-taking journey. 
Howard Fishman
vocals
"
data-original-title="" title="">Howard Fishman
"Fields of Meat" -Ghost track on Look at All This! (Monkey Farm): This song was included as a ghost track because of creative differences between me and the producer of the album, who didn't feel that the track fit with the other songs on the record. This was the first time I'd used an outside producer for one of my albums, and I lost the fight. Hiding it as a ghost track was the compromise we agreed to. Howard Fishman
vocals
Jason Moran
piano
b.1975"
data-original-title="" title="">Jason Moran
"Nobody" -Ghost track on Ten (Blue Note): "Nobody" is a composition written by Bert Williams, a very famous Black performer performing in black face. After this song became a hit, in the early 1900s, Williams wrote a song entitled "Somebody" and then another song entitled "Everybody." The motivation to include it in my album Ten was conceptual, as the song "Nobody" is about a denial, an erasure, as Bert Williams subtly was pointing out how Black people are erased from history, or rendered invisible. Jason Moran
pianob.1975

Aljosa Jeric
drums
b.1973"
data-original-title="" title="">Aljosa Jeric
Untitled ghost track on The Venice Session (Kuhna): Including that music as a ghost track, an idea by the band's bassist, Aljosa Jeric
drumsb.1973

Danilo Gallo
bass, acousticb.1972

Ohad Talmor
saxophone, tenor
"
data-original-title="" title="">Ohad Talmor, saxophonist of The Other Quartet
Untitled ghost track on Sound Stains (Knitting Factory Records): We wanted to incorporate some totally experimental nusic, a sonic exploration that reflected the context of when this album was recorded. My father was dying of cancer, the last tune of the CD, "Arriving with Every Step," was composed to echo the pain and difficulties of that moment. Having a ghost track was, in a way a reflection, of this painful period. In today's recorded music ecosystem, and how we consume music via MP3 players, it wouldn't make any sense. But then, it did. Ohad Talmor
saxophone, tenorAnd since we were at it, we also asked the authors of other spectral jazz, what inspiration did they find in the world of ghosts.

Enrico Terragnoli
guitar
"
data-original-title="" title="">Enrico Terragnoli, guitarist of Houdini's Cage
"Ghost House" Memories of a Barber (El Gallo Rojo): The song is inspired, like others on the Houdini's Cage album, by circus traveling attractions of the beginning of the century. Among the various pavilionsdedicated to freaks, magic shows, miraculous elixirs and so onthere would often be a "ghost house" to amuse, or playfully frighten, children or young-at-heart adults. This is why the song's melody has this nostalgic, childish and somewhat mysterious character... Enrico Terragnoli
guitar
Paul Jarret
guitar
b.1985"
data-original-title="" title="">Paul Jarret
"Ghost Song #6" Ghost Songs (Neu Klang): All the songs on my album naturally create their own climates while appearing as moving shapes that surprise, just like ghosts. Paul Jarret
guitarb.1985
Happy listening!
Playlist
- Cortex "Legal Tender [Ghost Track]" Legal Tender (Clean Feed) 0:16
- Host talks 4:23
- Shake Stew "Like Water Falling Down with a Thousand Spirits [Ghost Track]" Gris Gris (Traumton) 6:30
- Host talks 17:18
- " data-original-title="" title="">John Ellis "[Ghost Track]" Roots, Branches and Leaves (Fresh Sound/New Talent) 18:27
John Ellis
saxophone, tenor
b.1974 - " data-original-title="" title="">Johnny Fourie "[Ghost Track]" Once upon a Time (Melt 2000) 20:23
Johnny Fourie
guitar - " data-original-title="" title="">Heiri Kaenzig Quintet "[Ghost Track]" Paris -Buenos Aires (MGB) 30:13
Heiri Kaenzig
bass - Host talks 33:30
- Howard Fishman "Fields of Meat [Ghost Track]" Look at All This! (Monkey Farm) 35:04
- " data-original-title="" title="">Paul Jarret "Ghost Song #6" Ghost Songs (Neu Klang) 38:42
Paul Jarret
guitar
b.1985 - Host talks 41:01
- Jason Moran "Nobody [Ghost Track]" Ten (Blue Note) 43:22
- " data-original-title="" title="">Branford Marsalis Quartet "[Ghost Track] (feat.
Branford Marsalis
saxophone
b.1960" data-original-title="" title="">Kenny Kirkland" Requiem (Columbia) 47:18Kenny Kirkland
piano
1955 - 1998 - Aljosa Jeric "[Ghost Track]" The Venice Session (Kuhna) 50:03
- Host talks 53:12
- Houdini's Cage "Ghost House" Memories of a Barber (El Gallo Rojo) 55:42
- Rêve d'éléphant orchestra "[Ghost Track]" Lobster Caravan (De Werf) 1:01:35
- The Other Quartet "[Ghost Track]" Sound Stains (Knitting Factory) 1:03:19
- Host talks 1:04:40
- " data-original-title="" title="">Joe Henry "[Ghost Track]" Scar (Mammoth) 1:07:14
Joe Henry
guitar and vocals - " data-original-title="" title="">Albert Ayler Quartet "Ghosts" European Recordings Autumn 1964 Revisited (Ezz-thetics) 1:16:59
Albert Ayler
saxophone, tenor
1936 - 1970 - Host talks 1:24:27

Ben Allison
bass, acousticb.1966
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