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Archie Shepp: Blase And Yasmina Revisited

By Chris May
June 23, 2021
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Archie Shepp: Blase And Yasmina Revisited

The three albums tenor saxophonist

Archie Shepp

saxophone, tenor
b.1937

" data-original-title="" title="">Archie Shepp recorded in Paris for BYG Records during one week in August 1969 tend to get overlooked in the slipstream of the dozen or so he made in the US for Impulse earlier in the decade. More is the pity, for as Blas�� And Yasmina Revisited so resoundingly attests, the BYGs contain some of the most audacious, many splendored and deep roots music that Shepp has recorded in his still-kicking career (at the time of writing, it has just been announced that Shepp will perform at London's Barbican in November 2021 accompanied by pianist

Jason Moran

piano
b.1975

" data-original-title="" title="">Jason Moran).

Part of the Swiss-based ezz-thetics label's Revisited series of remastered avant-garde classics from the 1960s, Blas�� And Yasmina Revisited covers two of the BYG LPs: Blas��, in its entirety, and the side-long title track of Yasmina, A Black Woman. The mix 'n' match cast of players Shepp assembled for the albums, from American musicians who happened to be in Paris at the time, range from New Thing radicals such as himself, pianist

Dave Burrell

piano
b.1940

" data-original-title="" title="">Dave Burrell and drummer

Sunny Murray

drums
1937 - 2017

" data-original-title="" title="">Sunny Murray, fellow travelers trumpeter

Lester Bowie

trumpet
1941 - 1999

" data-original-title="" title="">Lester Bowie, saxophonist

Roscoe Mitchell

saxophone
b.1940

" data-original-title="" title="">Roscoe Mitchell and bassist

Malachi Favors

bass, acoustic
1937 - 2004

" data-original-title="" title="">Malachi Favors from the

Art Ensemble Of Chicago

band / ensemble / orchestra

" data-original-title="" title="">Art Ensemble Of Chicago, hard-bop drum masters

Philly Joe Jones

drums
1923 - 1985

" data-original-title="" title="">Philly Joe Jones and

Art Taylor

drums
1929 - 1995

" data-original-title="" title="">Art Taylor, Chicago bluesman, harmonica player

Julio Finn

harmonica

" data-original-title="" title="">Julio Finn, and in a category-defying class of her own, the singer

Jeanne Lee

vocals
1939 - 2000

" data-original-title="" title="">Jeanne Lee. (Also present on Yasmina, A Black Woman, but not heard on the title track, is hard-bop tenor player

Hank Mobley

saxophone, tenor
1930 - 1986

" data-original-title="" title="">Hank Mobley).

The six tracks on the ezz-thetics album tell the story of African American jazz from its African roots through the blues and swing and on to the New Thing. For convenience, they can be considered here in three parts. First up are the four tracks featuring the divine Miss Lee: two Shepp originals, "My Angel," a primal Delta blues in which Shepp somehow twice transforms his tenor sound momentarily into that of Elmore Leonard's slide guitar, and "Blas��," a skeletal and sepulchral retro-modern roots workout; the traditional spiritual "There Is A Balm In Gilead," which includes trumpet obbligatos going on solos from Lester Bowie; and

Duke Ellington

piano
1899 - 1974

" data-original-title="" title="">Duke Ellington's sensual ballad "Sophisticated Lady," which is featured in the YouTube clip below. Lee reaches inside each of these varied songs to reveal breathtaking degrees of beauty. They are her tracks as much as they are Shepp's.

The second of the album's three parts is Blas��'s closing 9:18 track, "Touareg." On the preceding Lee tracks, Shepp's solos were foreshortened to accommodate the vocals. He turns in terrific ones on "My Angel" and "Sophisticated Lady," but none of the extended, visceral, sonic adventures for which he was at the time best known. "Touareg," on which he is accompanied only by Malachi Favors and Philly Joe Jones, delivers that.

The third and final part is "Yasmina." In August 1969, Shepp had just returned from performing at the Pan-African Festival in Algiers, North Africa and "Yasmina," with two double basses, two kit drummers and two percussionists, is vividly evocative of Maghrebi music, particularly the trance music of sub-Saharan-in-origin Sufi brotherhoods such as the Gnawa, with whom Shepp had jammed during the festival.

Mix these three parts together and prepare to have your endorphins turned up to eleven.

Historical footnote: The studio supervisor for Blas�� was the "colourful" French-born Greek producer Jean Georgakarakos, aka Jean Karakos. In the 1980s, Karakos was the brains (and great ears) behind the Paris-based Celluloid record label, which at the time was the platform for New York avant-funk and future-jazz bassist and producer

Bill Laswell

bass
b.1955

" data-original-title="" title="">Bill Laswell. Karakos had kept in touch with Julio Finn, heard on the first two Blas�� tracks, and brought him to the attention of Laswell, who included Finn on several of his 1984-85 productions. Alongside his great harmonica playing, Finn is a connoisseur of Cuban cigars, about which he wrote a short but authoritative treatise, and while in London in 1984 he set up the Pancho Sanchez dining club, whose get togethers concluded with the ritual smoking of fine cigars. But that is another story.

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Track Listing

My Angel; Blas��; There Is A Balm In Gilead; Sophisticated Lady; Touareg; Yasmina.

Personnel

Archie Shepp

saxophone, tenor

Roscoe Mitchell

saxophone

Jeanne Lee

vocals

Julio Finn

harmonica

Clifford Thornton

cornet

Lester Bowie

trumpet

Malachi Favors

bass, acoustic

Earl Freeman

percussion

Philly Joe Jones

drums

Sunny Murray

drums

Art Taylor

drums

Laurence Devereaux

percussion

Additional Instrumentation

Archie Shepp: tenor saxophone, voice (6); Roscoe Mitchell: bass saxophone (6); Jeanne Lee: voice (1-4); Julio Finn: harmonica (1, 2); Clifford Thornton: cornet (6); Lester Bowie: trumpet (3, 6), flugelhorn (3); Malachi Favors: double bass; Earl Freeman: double bass (6); Philly Joe Jones: drums (1, 2, 4-6); Sunny Murray: drums (6); Art Taylor: rhythm logs (6); Laurence Devereaux: balafon (6).

Album information

Title: Blase And Yasmina Revisited | Year Released: 2021 | Record Label: Ezz-thetics

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