Bons Amigos is a collection of light, breezy compositions from several generations of Brazilian composers. Lilting sambas and gentle bossa novas make up the bulk of this disc, resulting in a relaxed but heartfelt jam for Brazilian trumpeter/flugelhornist Claudio Roditi and friends.
Roditi admits to playing "a few more notes" than usual here, though he often equates "playing a lot of notes with 'showing off.'" Yet Roditi's double-time phrases on the brooding "Para Nada" plumb composer
"
data-original-title="" title="">Eliane Elias' harmonies, rather than simply flaunting his own technique. On his original "Bossa De Mank," Roditi's fast fingers are playful but never over the top. Following pianist
"
data-original-title="" title="">Johnny Alf's "Ceu E Mar," before tossing in his own mellifluous runs.
Roditi's consistently warm, spacious tone suits his innately melodic approach to everything he plays. According to Roditi, it's also a function of the rotary valve instruments he uses; still, he could probably make a kazoo purr. Roditi also treats his material as compositions, rather than just heads to play through. On the disc's title track, he takes his time and shows care for
"
data-original-title="" title="">Romero Lubambo's acoustic guitar take "Fantasia" through several impressionistic variations, yet they never entirely discard its shapely theme.
Roditi surrounds himself with musicians that are confident enough to occasionally let their talents be felt rather than heard. Vega's rhapsodic introduction to "Bons Amigos" diffuses through his whispered comping behind his colleagues. His glowing,
"
data-original-title="" title="">Antonio Carlos Jobim's "Ligia." Trading fours with the group on faster numbers, Zottarelli incorporates swing, bop and Latin excitement without overheating. Bassist
"
data-original-title="" title="">Egberto Gismonti's driving, minor-keyed "O Sonho," the group paints with colors and ideas, but rarely pushes limits. "Amandamada" includes a jagged theme and harmonically ranging Roditi solo over a carefree samba. Even the straight-ahead swing of "Levitation" has an air of tropical laissez-faire to it.
"
data-original-title="" title="">Tamir Hendelman is credited as arranger on several tunes, but his charts are similarly easygoing.
Bons Amigos ends with the carnival rhythms of "Piccolo Samba," and Roditi soaring on piccolo trumpet, before climaxing on a five-part overdub of the diminutive horn. Roditi's high note displays and mixing board effects sound as though he's smiling from behind the horn. He's having fun and is not out to impress. Claudio Roditi and his amigos don't have to worry about showing off, unless warmth, melody and humor sound intimidating.
Claudio Rodit: trumpet, flugelhorn and piccolo trumpet; Romero Lubambo:
electric and acoustic guitars; Donald Vega: piano; Marco Panascia: bass;
Mauricio Zottarelli: drums; Tamir Hendelman: arranger (1, 2, 5, 8, 9).
Album information
Title: Bons Amigos
| Year Released: 2011
| Record Label: Resonance Records
All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.
Go Ad Free!
To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.
We sent a confirmation message to . Look for it, then click the link to activate your account. If you don’t see the email in your inbox, check your spam, bulk or promotions folder.