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Shear Brass: Celebrating Sir George Shearing
ByGeorge Shearing
piano1919 - 2011
Carl Gorham
drumsJason McDermid
trumpetWhether as a jazz musician or a composer, Shearing is one of the greatest that the UK has produced. For some reason he seems to have been often overlooked or taken for granted in recent years. Blind from birth, his musical achievements are astonishing. His early career found him playing in various band formats with such prominent names as
Harry Hayes
b.1909In just a few years, he had formed a quintet (piano, bass, drums, guitar and vibraphone) showcasing his locked-hands piano technique and enjoyed enormous commercial success with his "Shearing sound." This led to collaborations with artists of the stature of

Nat King Cole
piano and vocals1919 - 1965

Ella Fitzgerald
vocals1917 - 1996

Peggy Lee
vocals1920 - 2002

Mel Torme
vocals1925 - 1999
Joining Gorham on drums, Shear Brass consist of a horn section with

Pete Long
saxophone, alto
Alistair White
tromboneChris Storr
trumpetSimon Wallace
piano
Alec Dankworth
bass, acousticArnie Somogyi
drums
Anthony Kerr
vibraphoneb.1965
Satin Singh
percussion
Sarah Moule
vocalsb.1961
Louise Marshall
vocalsRomy Sipek
vocalsThe album opens with "Conception," one of Shearing's best known tunes dating from his quintet's earliest recordings. The big band swing is immediately apparent as is the clever arrangement that gives soloists a brief moment in the spotlight. The following "Let's Live Again" has a relaxed swing with neatly judged vocals from Moule and fluent piano from Wallace. She is again on top form on "Midnight Mood," where Gorham adds lyrics to his great uncle's tune. Another tune from Shearing's early career is "The Fourth Deuce." This is effectively brought up to date with Storr's trumpet and Long's tenor both prominent. Gorham and Singh enliven the lively Latin rhythms of "From Rags to Richard" as the horns build and sway.
Elsewhere, Kerr's vibraphone together with Pearson's rendering of Shearing's piano style can be heard on "Night Flight." Vocalist Louise Marshall brings her delightful phrasing to a winning version of "Let There Be Love," a track Shearing worked on with Nat King Cole. She also brings her vocal style to Gorham's lyrics on "Easy." The remaining vocal track is "Lullaby of Birdland," Sipek's smooth voice perfect for this satisfying arrangement as McDermid, Long and Pearson provide effortless swing. The Latin "Rondo" rounds off the album with Singh, Somogyi and White making notable contributions.
Harvesting key moments to show the depth of Shearing's writing, Shear Brass are clearly on a mission and completely achieve their aim with this album. Shearing's originals are made crisp and contemporary with swinging brass arrangements from McDermid, creative anchoring from Dankworth, Somogyi and Gorham and terrific cameos from the rest of the band. Fast moving and packed with creative ideas, this is a fitting tribute to the career of an exceptional musician. ">
Track Listing
Conception; Let's Live Again; From Rags to Richards; Let There Be Love; The Fourth Deuce; Easy; Night Flight; Lullaby of Birdland; Children's Waltz; Midnight Mood; Rondo.
Personnel
Carl Gorham
drumsJason McDermid
trumpetAlec Dankworth
bass, acousticPete Long
saxophone, altoAlistair White
tromboneChris Storr
trumpetJames Pearson
pianoSimon Wallace
pianoAnthony Kerr
vibraphoneArnie Somogyi
drumsSatin Singh
percussionSarah Moule
vocalsLouise Marshall
vocalsRomy Sipek
vocalsAdditional Instrumentation
Jason McDermid: trumpet (1, 4, 6-9,11); Chris Storr: trumpet (2, 3, 5, 10, 11); Pete Long: clarinet (9), alto sax (1, 2. 6. 7, 10, 11), tenor sax (4, 5, 8), baritone sax (3); James Pearson: piano (1, 4, 6-9); Simon Wallace: piano (2, 3, 5, 10, 11); Anthony Kerr: vibes (1, 7, 9); Alec Dankworth: bass (1, 4, 6-9); Arnie Somogyi: bass (2, 3, 5, 10, 11); Satin Singh: percussion (3, 11); Sarah Moule: Vocals (2, 10); Louise Marshall: vocals (4, 6); Romy Sipek: vocals (8).
Album information
Title: Celebrating Sir George Shearing | Year Released: 2023 | Record Label: Ubuntu Music
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