Home » Jazz Articles » Album Review » Edward Ricart Quartet + Paul Dunmall: Chamaeleon
Edward Ricart Quartet + Paul Dunmall: Chamaeleon
By Track review of "Beelining"
Paul Dunmall
saxophoneb.1953

Herb Robertson
trumpetb.1951
The band projects an open-world scenario, where experimental jazz improvisation and psycho-rock are embedded within introspective or loosely assembled tone poems; highly intense improvisational segments and pliant rhythms. And the soloists are extraordinarily effective at contrasting and complementing each other throughout.
The final track "Beelining," boasts an invigorating and speedy set of circumstances as Ricart shrewdly lays behind the pulse while dishing out succinct, fuzz-toned lines that counters Dunmall's hyper-mode phrasings. Here, lucid imagery of contentious arguments are culminated. Yet the musicians eventually conjoin and embark on a feeding frenzy, offset by Robertson's high-pitched flute or whistle implement. The ensemble's maddening and tumultuous pace elicits notions of a fiendish plot within the perimeters of good-natured mayhem. Drummer
Andrew Barker
percussionTrack Listing
Forager; Real Orbital; Excavator; Blind Source; Elliptic Operators; Beelining.
Personnel
Edward Ricart
bassEdward Ricart: guitar; Paul Dunmall: saxophone; Herb Robertson: trumpet; Jason Ajemian: double bass; Andrew Barker: drums.
Album information
Title: Chamaeleon | Year Released: 2013 | Record Label: New Atlantis Records
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