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Jason Roebke Octet: Cinema Spiral

By Mark Corroto
August 31, 2016
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If entropy is a scientific theory that describes how all things in nature tend towards a gradual decline and disorder, then

Jason Roebke

bass

" data-original-title="" title="">Jason Roebke's Octet is the anti-entropy. His second octet release Cinema Spiral and the previous High/Red/Center (Delmark, 2014) make order out of the impression of chaos.

Such is the enticement of jazz.

It always has been. Ever since

Louis Armstrong

trumpet and vocals
1901 - 1971

" data-original-title="" title="">Louis Armstrong diverted from the sheet music, great jazz musicians, improvisers, leave the score behind, or use it as a skeleton to build anew. This is the strength of Roebke's vision, and it's much easier to do in a small setting. In an octet it is a thing of beauty.

Credit here goes to bassist Roebke's choice of familiar musicians from the Chicago scene, saxophonists

Greg Ward

saxophone

" data-original-title="" title="">Greg Ward and

Keefe Jackson

saxophone

" data-original-title="" title="">Keefe Jackson, bass clarinetist

Jason Stein

clarinet, bass
b.1976

" data-original-title="" title="">Jason Stein, trumpeter

Josh Berman

cornet

" data-original-title="" title="">Josh Berman, trombonist

Jeb Bishop

trombone

" data-original-title="" title="">Jeb Bishop, vibraphonist

Jason Adasiewicz

vibraphone

" data-original-title="" title="">Jason Adasiewicz and drummer

Mike Reed

drums
b.1974

" data-original-title="" title="">Mike Reed. Like

Charles Mingus

bass, acoustic
1922 - 1979

" data-original-title="" title="">Charles Mingus, he chooses musicians for their unique approach, but, unlike Mingus, he gives his players less tether. Maybe that is because each player is a fine leader in his own right. You can find Roebke in Ward's 10 Tongues, Berman's trio, Reed's People, Places & Things, Stein's Locksmith Isidore, Jackson's quartet, Adasiewicz's Rolldown and various ensembles with Bishop.

Take "People Laughing," which opens with hysterics, then evolves into a coherent statement under, first the firm bass lines of Roebke, then the cooperative explorations of the players. The explorations of the piece, first dense then almost minimalist improvisation, grow into an organic being. Pieces and parts, trombone and vibraphone, fitting the pieces together. This robust sound flows into "Waiting," a fully orchestrated composition, and the hummable earworm "L'acm��." The joy here is the leader's ability to allow these fine player's off leash. The combination of yowling saxophones and snarling bass clarinet, ringing vibraphone, and skittering trumpet played over the march of drums and the ever steady pulse of Roebke makes for limitless possibilities.

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Track Listing

Looking directly into the camera; Focusing; For a Moment; Getting High; People Laughing; Waiting; L'acm��

Personnel

Jason Roebke

bass

Greg Ward: alto saxophone; Keefe Jackson: tenor, sopranino saxophones, contrabass clarinet; Jason Stein: bass clarinet; Josh Berman: trumpet; Jeb Bishop: trombone; Jason Adasiewicz: vibes; Jason Roebke: bass; Mike Reed: drums.

Album information

Title: Cinema Spiral | Year Released: 2016 | Record Label: NoBusiness Records

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