Home » Jazz Articles » Album Review » Brazilian Trio: Constelacao

Brazilian Trio: Constelacao

By Dr. Judith Schlesinger
March 17, 2013
View read count

Constelacao contains a wonderful range of material, from the passionately churning title track to pianist

Cedar Walton

piano
1934 - 2013

" data-original-title="" title="">Cedar Walton's classic "Bolivia," which features a great drum opening by

Duduka Da Fonseca

drums

" data-original-title="" title="">Duduka Da Fonseca.

Tucked between these splendid bookends are such gems as

Dori Caymmi

guitar
b.1943

" data-original-title="" title="">Dori Caymmi's beloved "O Cantador," which many will recognize as "Like a Lover." Introduced to North American audiences by

Sergio Mendes

piano
1941 - 2024

" data-original-title="" title="">Sergio Mendes, its lyrical melody and meaning are regularly rediscovered and newly recorded by singers. There's the requisite contribution of the master,

" data-original-title="" title="">Antonio Carlos Jobim, who is represented by both his relatively obscure work ("Quebra Pedra," "O Boto") and his more familiar ("Luiza"). Each trio member contributes one engaging original as well, together producing a swinging, nuanced and delightful session from start to finish.

This CD exemplifies the seamless ease of playing with old friends who are also masters of their instruments. Finally, as it so often happens with Brazilian music, whether driving forward or laying back it manages to be both energizing and relaxing at the same time.

Learn more about our star rating system

Track Listing

Constelacao; Bebe; Embalo; O Cantador; Quebra Pedra; LVM/Direto Ao Assunto; Luiza; O Boto; Isabella; Bolivia.

Personnel

Brazilian Trio

Helio Alves: piano; Nilson Matta: bass; Duduka da Fonseca: drums.

Album information

Title: Constelacao | Year Released: 2013 | Record Label: Motema Music

PREVIOUS / NEXT

Crystal Bowersox: New York, NY, Marc...
< Previous

Cave Women
Next >

Support All About Jazz

All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.