Home » Jazz Articles » Album Review » Taeko: Contemplation

Taeko: Contemplation

By Edward Blanco
November 4, 2020
View read count

It is well known that American jazz is very popular in Japan, which explains why so many Japanese musicians move to the United States to develop their jazz pedigree further. New York is a favorite place to chase one's passion for jazz as singer Taeko Fukao did, moving over in the early 90's. She now presents her fourth recording, the very tasteful Contemplation. The album contains music from jazz greats such as

Benny Golson

saxophone, tenor
1929 - 2024

" data-original-title="" title="">Benny Golson,

Chick Corea

piano
1941 - 2021

" data-original-title="" title="">Chick Corea,

Bill Evans

piano
1929 - 1980

" data-original-title="" title="">Bill Evans and

Billie Holiday

vocals
1915 - 1959

" data-original-title="" title="">Billie Holiday, among others.

The uncommon standards featured here all have one thing in common; Taeko's own creative arrangements make them somewhat unique. A fixture in the New York jazz scene, the singer surrounds herself with three of the city's finest players, pianist

Theo Hill

piano
b.1982

" data-original-title="" title="">Theo Hill, bassist

Francois Moutin

bass

" data-original-title="" title="">Francois Moutin and drummer

Victor Jones

drums

" data-original-title="" title="">Victor Jones, who form the core piano trio in backup support. Japanese koto player

Sumie Kaneko

koto

" data-original-title="" title="">Sumie Kaneko joins the band on four tracks.

A talented artist in many ways, Taeko explores the music on this project as a way of finding her niche in jazz, stating, "I love jazz because it's improvisational...constantly changing everyday life...seeking my own voice is my ultimate goal." The singer opens the album with her own arrangement of the Japanese-titled

Cedar Walton

piano
1934 - 2013

" data-original-title="" title="">Cedar Walton Jazz Messenger classic "Ugestsu: Fantasy," an upbeat quick-tempo burner perfect for a beginning.

The title track, a

McCoy Tyner

piano
1938 - 2020

" data-original-title="" title="">McCoy Tyner composition, starts off with a very Japanese tinged flavor featuring Kaneko on the Koto (traditional Japanese 13-string harp) and develops from there into a straight-ahead jazz tune where the pianist and other bandmates weigh in on the most ambitious song of the set at seven plus minutes in duration. The vocalist's own composition "Gracious" is a warm and beautiful song in which Taeko reaches and demonstrates just how gracious her voice truly is.

The Japanese folk song "Hamabe-No-Uta," is voiced by the songbird in her native language as a ballad, providing bassist Moutin ample solo space. The leader's rendition of the Oscar Hammerstein -Jerome Kern standard "The Song is You," is certainly one of the keepers of the album. The Stylistics' pop classic "Betcha By Golly, Wow" and Bill Evans' immortal "Waltz for Debby," are two delicate and delicious treatments of these old familiar songs.

The voice and koto duet on "The Sun Died," Corea's "High Wire" and the Golson standard "I Remember Clifford," round out the session completing another vocal jazz album worthy of attention. Jazz singer Taeko, as she prefers to be known, is a soulful singer with a four-octave range who is quite impressive on many fronts. Contemplation is an album of light vocal jazz that will not disappoint, quite the contrary. Well done!

Learn more about our star rating system

Track Listing

Ugetsu: Fantasy; Left Alone; Contemplation; Gracious; Hamabe-No-Uta; The Song Is You; Betcha By Golly, Wow; Waltz For Debby; The Sun Died; High Wire; I Remember Clifford.

Personnel

TAEKO

vocals

Additional Instrumentation

Taeko Fukoa - Vocals; Theo Hill - Piano; Francois Mouton - Bass; Victor Jones - Drums; Sumi Kaneko - Koto,

Album information

Title: Contemplation | Year Released: 2019 | Record Label: Flat Nine Records

PREVIOUS / NEXT

Retroscope
< Previous

Dan Weiss & Starebaby, Angelica Sanc...
Next >

Support All About Jazz

All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.