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Josh Lawrence & Color Theory: Contrast
ByJosh Lawrence
trumpetb.1982
On his second release for the Posi-Tone label, Lawrence explores several different avenues of musical expressionism with his "Color Theory" project. The new record, entitled Contrast, digs into the counterpoint of joy and pain, inspired by the works of painter/art theorist Vasily Kandinsky. Kandinsky outlined the theory of the definitive sound of colors, noting for example, the bright yellow conceptualization of treble, which could never be mistaken for the dark colors and depth of bass tones.
Contrast is composed of a pair of five movement suites, much like two sides of an LP. The first suite takes its titles from the Kandinsky collection of paintings in the Guggenheim collection, the second being referred to as the "American side." The abstract musical perception is as a prism to create music out of color.
For this session, Lawrence surrounds himself with musicians that personify his personal growth as an artist, including a major influence from his Philly days, pianist

Orrin Evans
pianob.1975
Both in terms of foundational support and creative improvisational impulse, bassist

Luques Curtis
bass, acoustic
Zaccai Curtis
pianob.1981
Multi-dimensional drummer

Anwar Marshall
drumsSaxophonist

Caleb Wheeler Curtis
saxophoneb.1985

David Gibson
tromboneThe broad canvas of colors on which Lawrence moves this stellar gathering of musicians is perhaps best exemplified on the Lawrence composition "Dominant Curve." The head, in and out, is pure bebop, progressing onward through variances in linear time pushed by bassist Curtis, and Marshall. Pianist Curtis provides the base harmonic pigment for the wash of sound projected by a stunning alto solo from saxophonist Curtis.
While many of the finer points of musical adventurism are provided on more up-tempo pieces such as the opener "Circles on Black," or the explosive "Agent Orange," Lawrence is in his true element of modern expressionism on the ballad "Accompanied Contrast." His sense of prose like lyricism, and romantic tonal imagery, clearly demonstrates not only his mastery of the instrument, but the aspect of his personal humanity that easily expresses love, humility, and empathy.
Evans enters the fray on the dynamic "Blues on the Bridge, " a piece inspired by peaceful resistance and activism. "The resistance to tyranny is another theme in America's story; a theme that inspires me to be better, and do better," states Lawrence. On Contrast, Lawrence accomplishes just that, both in artistic terms, and by way of expressing the mood of the fight for justice and humanity so prevalent in these times in America.
Evans and Lawrence end the session with the beautiful Prince ballad of love and remembrance, "Sometimes It Snows in April." Dedicated to his recently passed brother in law Grisha, Lawrence plays from a very deep, emotional place. The result is a loving, heavenly tribute to a precious soul that left the world far too soon. ">
Track Listing
Circles On Black; Round The Circle; Dominant Curve; Accompanied Contrast; In The Black Square; Gray; Brown; Agent Orange; Blues On The Bridge; Sometimes It Snows In April.
Personnel
Josh Lawrence
trumpetJosh Lawrence: trumpet; Caleb Curtis: alto saxophone; David Gibson: trombone; Zaccai Curtis: piano; Orrin Evan: piano (track 9, 10); Luques Curtis: bass; Anwar Marshall: drums.
Album information
Title: Contrast | Year Released: 2018 | Record Label: Posi-Tone Records
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