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Cynthia Sayer
By
Jelly Roll Morton
piano1890 - 1941
Alas, Jelly Roll and Satch are long gone, and their heirs aren't working with banjos (although after his recent bagpipe excursions, I'm still hoping Anthony Braxton will give Cynthia a call). So what's a jazz banjo player to do?
Just about everything, in fact. Look for Cynthia Sayer, and you're likely to see her, banjo in hand, standing next to some of the leading talents in "traditional" jazz, plus not a few luminaries in other fields:

Woody Allen
clarinetb.1935

Dick Hyman
pianob.1927

Milt Hinton
bass, acoustic1910 - 2000

Bucky Pizzarelli
guitar1926 - 2020

Kenny Davern
clarinet1935 - 2006

Bob Wilber
clarinet1928 - 2019

Doc Cheatham
trumpet1905 - 1997

Warren Vache
cornetb.1951

Ken Peplowski
woodwindsb.1959
Sayer also plays banjo with the New York Philharmonic, of all people, during their performances of George Gershwin's jazz-inflected Rhapsody In Blue. She's even appeared at the White House.
And why not? Even the Grey Lady has noticed Sayer: The New York Times says that "within the small society of contemporary jazz banjoists, women are even rarer. One of that very rare breed, Cynthia Sayer, plays with a plunging drive ... and her jazz-inflected singing [has] a deep sense of involvement." New York Newsday calls her "a wizard on the instrument." Venerable pianist Dick Hyman concurs: "Versatile Cynthia Sayer picks an expert banjo, strums a steady guitar, and sings with swing and charm. She is one of a kind."
Hyman is right. She is one of a kind, a daring imaginative innovator who innovates by returning forthrightly to the traditions of our forefathers, traditions that are by no means exhaustedas Cynthia Sayer herself proves time and time again.
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cynthia sayer
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Robert Spencer
United States
Jelly Roll Morton
Woody Allen
Dick Hyman
Milt Hinton
Bucky Pizzarelli
Kenny Davern
Bob Wilber
Doc Cheatham
Warren Vache
Ken Peplowski
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