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Tomasz Stanko: Dark Eyes
ByMarcin Wasilewski
pianob.1975

Jakob Bro
guitarb.1978
Bit by bit, the band's seductive rapport and cagey dynamics are revealed: first the rubato portent and spaciousness of "So Nice," then a marked shift to a rock-like beat and cutting Bb-minor ostinato in "Terminal 7," later the spiky unison lines of "Amsterdam Avenue" and even a Stanko piece with no trumpet at all, the hypnotic three-minute sketch "May Sun." The music hews to a strategy of slow development and deferred gratification in "Samba Nova," which isn't a samba until about halfway through its nine-plus minutes. "The Dark Eyes of Martha Hirsch," another of the longer pieces, undergoes a similar transition from airy rubato to upbeat swing, following a sequence of ensemble melodies and subdued bass improvisations arranged as a call-and-response.
Stanko paid tribute to his late mentor

Krzysztof Komeda
piano1931 - 1969
Christensen plays electric bass on Dark Eyes, although his warm, natural tone can lead listeners to think otherwise. Bro's delicate but unmistakably electric guitar adds a sweet sonic expanse, as do Louhivuori's varied percussive textures. The piano sound, too, is glowingeven by ECM's high standards, Dark Eyes boasts uncommonly fine audio. All the better to hear Stanko, who prefers open trumpet even in the hazy, ethereal settings where many players would opt for a mute. ">
Track Listing
So Nice; Terminal 7; The Dark Eyes of Martha Hirsch; Grand Central; Amsterdam Avenue; Samba Nova; Dirge for Europe; May Sun; Last Song; Etiuda Baletowa No.3.
Personnel
Tomasz Stańko
trumpetTomasz Stanko: trumpet; Alexi Tuomarila: piano; Jakob Bro: guitar; Anders Christensen: bass; Olavi Louhivuori: drums.
Album information
Title: Dark Eyes | Year Released: 2010 | Record Label: ECM Records
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