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Diego Rivera: Diego Rivera: The Contender
ByDiego Rivera
saxophone, tenorb.1977
Rivera leads a powerful sextet through an 11-song set of brawny, orthodox post-bop that carries on the blowing session tradition in the best sense of the phrase.
The title-track opener sets an aggressive and upbeat mood with an angular, John Coltrane-styled sax intro by Rivera, backed by some hot call-and-response from trumpeter

Greg Gisbert
trumpetb.1966

Michael Dease
tromboneb.1982

Miki Hayama
piano
Rodney Whitaker
bassb.1968

Ulysses Owens, Jr.
drumsb.1982
The next track, El Pachuco, "The Hipster" in Latin culture, is just that, growing assuredly from lovely harmony lines in the head into a hard, swinging tenor lead. It gets a boost from the always fat, woody tones of bassist Whitaker.
Rivera, like Whitaker and Dease a professor of jazz studies at Michigan State University, shows he's knows what he's teaching with a tight, tuneful set that's alternately New York spiky and Latin fluid. What's more, the record has a terrific sound to it, with a nod to recording at Owens' AlleyCat Studios.
Singer

Bria Skonberg
trumpetEnergy comes back up for Jerome Kern's "Yesterdays," highlighted by Rivera's strong tenor lead, some well-arranged ensemble play and a crashing drum track from Owens.
Lots of Stevie Wonder tunes get borrowed by jazz players, but it's hard to find one that sets up more seamlessly for combo jazz than "My Cherie Amour." This take is less reinterpretation than celebration and works beautifully, punctuated by a lovely, bouncing solo by pianist Hayama.
Swinging cool jazz is the order on Rivera's "The Whit," in which Whitaker's stellar bass tone gets mixed up front in a great bit of mixology right up there with a well-poured Scotch and soda. Every instrument sounds delicious on this one, from fat piano keys to a grin-inducing sax-bass unison line.
Two figures admired by Rivera get nods on the next tunes. "Frida" pays an homage to the muralist's wife and muse, Frida Kahlo, followed by a take on Horace Silver's classic "Silver's Serenade." Both are in keeping with the rest of the record: swinging, high-level and great sounding.
Hard bop purists will enjoy "Little Giant," in which Rivera pays homage to Johnny Griffin with a tight, cooking jam, replete with the brisk tempo and soaring licks suited to the honoree.

Behn Gillece
vibraphoneb.1982
The set wraps up with "Tinte Latino," a Rivera meditation on the idea of jazz, the quintessential American music, having deep African roots in South America. The set triumphs because it is what it sets out to be: a great new jazz record for people who love great old jazz records. ">
Track Listing
The Contender; El Pachuco; Don't...Can't...Won't...; Yesterdays; Para Los Muertos; My Cherie Amour; The Whit; Frida; Silver's Serenade; Little Giant; Tinte Latino.
Personnel
Diego Rivera
saxophone, tenorDiego Rivera: tenor & soprano saxophones; Greg Gisbert: trumpet; Michael Dease: trombone; Miki Hayama: piano; Rodney Whitaker: bass; Ulysses Owens Jr.: drums; Bria Skonberg: vocals; Behn Gillece: vibraphone; Andrew Swift: percussion.
Album information
Title: Diego Rivera: The Contender | Year Released: 2013 | Record Label: D Clef Records
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