Home » Jazz Articles » Rediscovery » Don Byron: Tuskegee Experiments
Don Byron: Tuskegee Experiments
ByThe germination of this column began as the result of two coinciding events. First, after months of relative inactivity due to a health matter that, while thankfully non-life threatening and treatable, could take several more months to get me back to my usual breakneck speed and has slowed my writing to a crawl, I began to feel like I needed to do something to keep promoting music that moved me, but in ways that required less physical and mental energy.
The secondand much happierevent was acquiring the best sound system I have ever owned (and will likely ever own) recently, as part of an upcoming home renovation. Still waiting on the Tetra 111 Subwoofers to complete my 333 stacks (combined with the renowned Ottawa company's 222 bookshelves), Oppo BDP-105D multimedia player and Leema Tucana II integrated amplifier, the sound is still so many orders of magnitude beyond what I had that I have truly begun hearing albums as if for the first time...the increase in fine detail, depth, breadth and transparency has truly been that significant.
And so, as I began pulling out albums I'd not heard in weeks ... months ... years ... decades ... I thought: why not share these records with others who may or may not know them? Focusing largely on reviewing new releases, I've never had the chance to pay respect to so many older recordings that have shaped my ears and my love of music.
Thus, this Rediscovery column. But this isn't just about me. I am hoping that as you read what is intended to be a daily columnwith relatively short synopses that, not exactly reviews, intend to bring these album to your attentionyou'll feel inclined or even compelled to chime in with your own thoughts. My thoughts will provide but one part of the picture; your opinions will be just as important. And while I will be spreading the news of this column to my various social media portals, bulletin boards and email lists, I hope that, rather than posting there, you'll post here, at All About Jazz. Yes, you must sign into DISQUS, AAJ's comments software, but if you have a Facebook, Twitter or Google account, you can sign in with one of themand typically only once at that.
So, here we go with our first Rediscovery, though I will post the first four that I placed on social media as a trial run this past week in the coming days. I hope you'll join me in discussing and sharing what have been important recordings to memostly jazz, but be warned to expect some extracurricular content as well, because my tastes have been shaped by more than just jazz and I suspect that's true for many of you as well. So let's talk about it!

Tuskegee Experiments
Elektra Nonesuch
1992
I'd been hearing then-solely clarinetist

Don Byron
clarinetb.1958

Bill Frisell
guitar, electricb.1951
But this is truly Byron's record andin a career that has seen him recently move away from clarinet to include saxophonestill one of his absolute best. The record was inspired by two events in American history that, in their sheer inhumanity, resonate particularly with current race relation issues and demonstrate how little has truly changed. First, the forty-year study of syphilis in Black men, where more than half of the 400-strong study group had the disease (the rest did not) and were left untreated simply to observe its long-term consequences. The second, as Byron describes in his liners, "[In] the Tuskegee aviation experiment, over-qualified and under-compensated Black men endured unnecessary indignities simply to 'prove' they could be trusted to fly military aircraft."
But subject matter asidethough it is addressed directly through poet Sadiq's spoken word on "Tuskegee Experiment"this is an album that, in addition to Byron's exceptional writing, includes one cover each from

Duke Ellington
piano1899 - 1974
It's an evocative and provocative work brought to powerfulwhile, at times, still beautifullife by Frisell's ever-idiosyncratic yet always resonant playing,

Lonnie Plaxico
bassb.1960

Ralph Peterson
drums1962 - 2021

Edsel Gomez
pianob.1962

Reggie Workman
bassb.1937

Kenny Davis
bassb.1961

Pheeroan AkLaff
drumsb.1955
Joe Berkovitz
pianoIt's a record that not only remains musically relevant today, nearly 23 years later, but conceptually as well. And Byron's playing throughout is as passionate as the subject matter demands.
So, what are your thoughts? Do you know this record, and if so, how do you feel about it?
Tags
Comments
PREVIOUS / NEXT
Support All About Jazz

Go Ad Free!
To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.
New York City
Concert Guide | Venue Guide | Local Businesses
| More...
