Home » Jazz Articles » Album Review » Daniel Kelly: Emerge
Daniel Kelly: Emerge
ByChris Tarry
bassb.1970
On a program of ten original compositions, Kelly's distinctive take on the piano trio sees him switch between genres and instruments even on the same song, like the opening "Moroccan Nutchuck" where a Fender Rhodes solo over funky backbeat and probing bass is followed by a sweeping up-tempo piano excursion, toying with dissonance before reverting to thematic territory. On "Anima/Animus," a lyrical,

Keith Jarrett
pianob.1945

Bobby Sanabria
congasKelly pays homage to his wife on both the tender ballad "July 25th" and the more upbeat "Song for Katherine," which features a rippling bass solo that ends with a delightful melodic tag, linking back into the theme. Kelly is such a strong player that the solid time of the rhythm section, even on the rockier pair of "Doppelganger" and "Canary Effect," sometimes seems superfluous, but it will be fascinating in the future to see how Kelly forges the different facets on show here into the singular conception surely to come. ">
Track Listing
Moroccan Nutchuck; Obfyor; Transience; Emerge; Anima/Animus; Doppelganger; Michelangelo's Uncarved Block;; Song for Katherine; Canary Effect.
Personnel
Daniel Kelly
pianoDaniel Kelly: piano, Rhodes; Chris Tarry: electric bass; Jordan Perlson: drums.
Album information
Title: Emerge | Year Released: 2009 | Record Label: Brooklyn Jazz Underground Records
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