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Emmet Cohen has one foot in the tradition, and another in the future
ByEmmet Cohen
pianob.1990
At first it was just Cohen and his bandmates, drummer

Kyle Poole
drums
Russell Hall
bass
Cyrille Aimée
vocalsb.1984
Since then, Emmet's Place has become a kind of jazz incubator in New York; featured guests have included legends like

Houston Person
saxophone, tenorb.1934

Victor Lewis
drumsb.1950

Joe Lovano
drumsb.1952

Sheila Jordan
vocals1928 - 2025

Randy Brecker
trumpetb.1945

Regina Carter
violinb.1966

Christian McBride
bassb.1972

Nicholas Payton
trumpetb.1973
Cohen has one foot planted in the future and the other in the past. Maybe that's why he chose to call his most recent record Future Stride: as a nod to the stride piano that he loves and the modern world in which he lives.
That tension between these two impulses, the old school and the new, is at the heart of the Emmet Cohen phenomenon. He's deeply rooted in the jazz tradition, and believes in the importance of oral history and intergenerational connection. When he was in his 20s (not so long ago!) he made a series of albums, live interviews, and performances featuring jazz masters

Jimmy Cobb
drums1929 - 2020

Ron Carter
bassb.1937

Benny Golson
saxophone, tenor1929 - 2024

Albert Tootie Heath
drums1935 - 2024

George Coleman
saxophone, tenorb.1935
Meanwhile, he's an active digital citizen. He was quick to embrace streaming, NFTs, and direct-to-fan connection. (He offers a subscription service to his fans to support his work directly.) He's a product of the 21st century and he understands how to thrive in both physical and virtual space.
We got together recently to talk about how he straddles the line between tradition and modernity, starting out as a prodigy in Miami, being a "repertory player," his community in Harlem, "blues therapy" and the common lesson he learned from all his mentors.
The Third Story is made in partnership with WBGO Studios.
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