Imitation is often said to be the highest form of flattery, but independent inspiration forged into similar styling is a much higher art. That's the case here with guitarist David Broza, whose admiration for flamenco icons led to a marvelous album holding many delights.

After living in Spain during some of his teenage years, Broza's focus over the decades on Spanish guitar comprised various formative influences from folk, blues and acoustic rock, recently melded even tighter with the flamenco sensibility. Whatever strumming or picking method he's employed over a long career, Broza plays at an optimal level and that's the rare air this entire record inhabits. The Israeli singer-songwriter lists a basic goal to elicit "oles" from listeners in that traditional sign of approval, and it's easy to imagine many such responses.

Percussionist Isreal Suarez and bassist Dany Noel provide admirable support throughout. "Flor en Masada #3" illustrates the trio at their best, on a ballad that unfolds into layers of emotion. While the supporting crew is top-notch, some of the record's finest moments come on the two songs with Broza on solo guitar, "Nili's Waltz" and "Autumn Longing." "Saturday Morning Jig" is a cheerful, whistle while you work type tune featuring