Two words that best describe the work of Rakalam Bob Moses are "ancient future." This twin epithet really requires no explanation. But it includes the suggestion that the music comes from a time and place when the aural expression of emotions was incredibly pure and extends—as if by magic—to that time and place where the reflection of all guileless aural expression will one day be attained. In 2008's Father's Day B'hash this idea comes to fruition just as it does in, for instance, Bittersuite In The Ozone (Mozown, 1975). This remarkable record became a reality in part because of a sound project by Moses' son Rafael for his studies at the Art Institute of New England.

Moses has always been in the real avant-garde of modern music and in the 1980s he came under the musical and spiritual guidance of guitarist, Tsziji Munoz, made several large ensemble records especially, When Elephants Dream of Music (Gramavision, 1982), Visit With The Great Spirit (Gramavision 1983), and the monumental The Story of Moses (Gramavision, 1987). Not very long after, Moses became "Rakalam—the inaudible sound of the invisible sun" and it appears, also became an unparalleled purveyor of aural color, following such master-colorists as especially Hermeto Pascoal, among others.

On Father's Day B'hash, Moses rises to astral heights, swirling in the realm of the same spiritual cosmos as