Dynamic tension and release is an under-explored avenue in jazz. While composers and performers of this music seem to come out of institutes of higher learning with advanced harmonic knowledge, allowing them to create stunningly complex chords that resolve in an amiable fashion, these very musicians are often incapable of using the same techniques when dealing with volume concerns. Dynamics, like melody and harmony, play a key part in shaping any musical performance, and guitarist Assaf Kehati is keenly aware of this fact.

In an effort to build and breakdown the emotional intensity in his music—dynamically and in all other manners—Kehati is always at the center of the architectural process. His diaphanous single note lines often serve as kindling, which allows the other musicians to build the fire around his guitar work. Once the fire burns down a bit, the embers always remain, giving Kehati and his group the option of stoking the flames again or letting things peacefully die out. These techniques work time and time again, as he creates works that move from loose suspended states of animation to more rhythmically solid ground ("Don't Attack"), and music that can revolve around consistent and mesmerizing lines that evolve in a variety of manners ("The Most Beautiful Flower").

Kehati's Israeli roots show up early on the album, as saxophonist