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Freihofer’s Saratoga Jazz Festival 2021

Courtesy Richard Conde
Saratoga Performing Arts Center
Saratoga Springs, NY
June 26-27, 2021
The possibility of Freihofer's Saratoga Jazz Festival returning this year was shaky in the spring months of 2021. COVID was showing signs of remission, but troubles still lingered.
Both Danny Melnick, president of Absolutely Live Entertainment, which produces the festival at Saratoga Performing Arts Center, and SPAC President and CEO Elizabeth Sobol had their doubts, but worked hard behind the scenes, navigating the changing health and safety guidelines and regulations not only of the CDC, but New York state.
But return it did with a bang, musically.
It came back on a much smaller scale than normal. There were six national acts and two local bands that took the stage over two days. The festival always has artists of the highest order, sprinkled with high-powered pop or soul acts. The quality did not drop. If anything, there appeared to be an extra sense of élan. And why not? For these artists, the festival marked their first live gig after the long, dark and dangerous coronavirus lockdown that gripped the world and hit the music industry and musicians particularly hard. The smiles on the faces of the artists and the appreciation they expressed outwardly to Melnick and the audience told the underlying story. It was a visual and audible sign of the glee and relief musicians were feeling.
Music heals. And while recordings are invaluable, it needs to be brought to and played in front of the people.
Attendance had to be limited due to social distancing rules and the hours were also cut back. But there was a great sense of connectionfans to artists and artists to fans.

Artemis
band / ensemble / orchestra
Christian McBride
bassb.1972

Joey Alexander
pianob.2003

Cecile McLorin Salvant
vocalsb.1989

Dianne Reeves
vocalsb.1956
Reeves and McLorin Salvant have things in common. They both come from the tradition and can both credit

Sarah Vaughan
vocals1924 - 1990
Reeves is touring with a group that features the music of Brazil, such as the wonderful composer

Antonio Carlos Jobim
piano1927 - 1994

Romero Lubambo
guitarb.1955
Reeves was dynamic and powerful. Her execution was near flawless, but she showed vulnerability when the lyric calls for it and her scatting (not a great tool for many singers) was in the form of interesting improvisationnot the tiresome "I scat therefore I'm jazz." There's a reason she has had a long, strong career.
McLorin Salvant comes from the same place, but her approach is different. She doesn't scat, but her harmonic and melodic journeys can be magical. The richness of her voice hooks the listener, then she beckons them on the journey and tells the story with a lushness that can evoke melancholy or great joy. The version she sang of "Over the Rainbow" can stand with anyone, Judy Garland and Vaughan included.
One of the most touching songs she sang was when she walked on stage to sing a tune with Artemis. "If It's Magic" is a number she performed on the debut, self-titled, recording of Artemis. It's a

Stevie Wonder
vocalsb.1950

Renee Rosnes
pianob.1962

Ingrid Jensen
trumpetb.1966

Nicole Glover
saxophone, tenorb.1991
Regarding Artemis, the all-female band released its first CD and was anxious to embark on a tour and further develop the chemistry that the members knew was taking on a special life. The pandemic put it on hold, but the group now has several bookings. While leaders themselves, they collectively meshed like a band that has worked as a unit for a long time. Each was empathetic, with chops galore. The solos were dazzling, Jensen showing why she fits in with so many different group and Rosnes playing all over the keys. Glover took no prisoners. Drummer

Allison Miller
drums
Noriko Ueda
bassMcBride's reputation as a bassist is well known. He's played so many of the giants in jazz, but his ensembles, from big band on down, are always top notch. This new group, with

Marcus Strickland
clarinet, bass
Josh Evans
trumpet
Nasheet Waits
drumsb.1971
Alexander always seems to celebrate his birthday at the festival. This appearance, his third, was his 18th birthday. He started as a wunderkind and while he wowed audiencesas very young people with talent always do it wasn't inappropriate to wonder what really lies within him and how far his talent would take him. He was impressive. His playing has matured and he showed not only strong chops, but a mature and thoughtful approach on some of his newer compositions. His was about expressing the composition, not just exhibiting playing ability. The things he played were creative, as were the tunes.

Larry Grenadier
bass, acousticb.1966
And it can't ever hurt to have

Kendrick Scott
drumsb.1980
DiMeola came out looking as mellow as can be. In shorts and wearing a bandanna, he sat himself down with acoustic guitars in a manner that belied his stature as guitar fiend. It would be a solo set. People knew what to expect and he delivered, his fingers racing up and down the fretboard, playing complex music people recognized from older records with

John McLaughlin
guitarb.1942

Paco de Lucia
guitar1947 - 2014

Chick Corea
piano1941 - 2021

Return to Forever
band / ensemble / orchestraGarland Nelson's Joyful Noise did more than gospel, though it was mostly that. He's a showman with a strong voice suited to funk and the soul, as well as the source gospel. His female backup singers were strong and pianist Azzaam Hameed, who's been a staple in the Capital Region for some time, provided great support. Nelson was a bit preachy at times, but no doubt that's part of the presentation. A particular highlight was Annette Harris singing "God Bless the Child" with strength and great emotion.
The Hot Club of Saratoga executed that style with precision. They put the crowd in a good mood and heightened anticipation of what the weekend would become.
The SPAC grounds underwent a major facelift, highlighted by a new multi-purpose building that serves as a VIP section over looking the main stage, but also has room for programming that people will be able to enjoy when the weather turns brisk. The space and sight lines of the grounds are more open and, while modernized, it displays even more the Adirondack-style flavor of SPAC and the Spa State Park within which the facility resides. Kudos.
All the arts are vital to our humanness. But among those, music reigns supreme.
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