Home » Jazz Articles » Album Review » Harris Eisenstadt: Golden State
Harris Eisenstadt: Golden State
By
Nicole Mitchell
fluteb.1967
Eisenstadt's compositions are enacted with odd-metered pulses and regimented interactions. However, he affords the soloists plenty of room to improvise, sparking a loose, open-air vista that parallels the modern jazz aura. At times these pieces take on a maze-like impetus, engineered with false endings and subtle shifts in the dynamic. It's a fluid endeavor, but tightly structured as contrabass luminary

Mark Dresser
bass, acousticb.1952
The quartet operates within an opaque space between classical, jazz and free-jazz type improvisation, but the drummer's firm odd-metered beats reinforce the structural aspects. They shift gears a bit on Dresser's arco driven ballad "Sandy," and the next track "Especially Preposterous Assertions" is launched by his walking lines, segueing into a medium-tempo swing motif. Moreover, the rhythm section speeds up the pace providing ammo for Mitchell's fluent and shrewd improvisational jaunts, integrated with a harmonious theme and Schoenbeck's Eric Dolphy-like attack.
Golden State is an album that discloses newfound surprises on additional listens. Nevertheless, Eisenstadt's prolific compositional prowess continues to yield significant rewards. His flourishing discography expands into a broader realm with the advent of this first-class musical statement. ">
Track Listing
What is a Straw Horse, Anyways?; It is Never Safe to Be; Dogmatic in Any Case; Unless All the Evidence is in; Sandy; Especially Preposterous Assertions; Flabbergasted by the Unconventional.
Personnel
Harris Eisenstadt
drumsNicole Mitchell: flute; Sara Schoenbeck: bassoon; Mark Dresser: contrabass; Harris Eisenstadt: drums, compositions.
Album information
Title: Golden State | Year Released: 2013 | Record Label: Songlines Recordings
Tags
Comments
PREVIOUS / NEXT
Support All About Jazz

Go Ad Free!
To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.
New York City
Concert Guide | Venue Guide | Local Businesses
| More...
