2018 is the 50th anniversary of the founding of the distinguished German jazz label MPS. To mark the occasion, the label's catalogue of over 400 albums has been released on download, and a vinyl and CD remastering and reissue programme has begun.
"
data-original-title="" title="">Alphonse Mouzon's In Search Of A Dream is among the first of these discs. Originally released in 1978, it was the fourthand finestjazz-rock set the drummer recorded for the label.
During the 1970s, his first decade on record, Mouzon moved effortlessly between acoustic jazz, jazz-funk and jazz-rock. He recorded frequently with
"
data-original-title="" title="">McCoy Tyner's acoustic bands on the Milestone label in early and mid decade, while simultaneously making a series of jazz-funk albums under his own name for Blue Note. He is probably best remembered for his jazz-rock outings, however, partly for his work with
"
data-original-title="" title="">Weather Reportdespite being a member of the band for little over a year and appearing on just one album, Weather Report (CBS, 1971).
There are echoes of mid-1970s Weather Report on In Search Of A Dream, although its arrangements are simpler than
"
data-original-title="" title="">Joe Zawinul's, and the degree of post-production much reduced. Part of the resemblance is due to the presence alongside Mouzon of bassist
"
data-original-title="" title="">Miroslav Vitous, another Weather Report founding member. Five of the nine tunes were written by Mouzon, two by Vitous, and Weather Report tropes pepper most of them. The references may have been deliberate. Producer Joachim-Ernst Berendt, who died in 2000, suggested that the album was conceived as a tribute to the band.
The other members of the group were never members of Weather Report, but each was to some extent influenced by it. Keyboard player
"
data-original-title="" title="">Joachim Kuhn have more explicitly European sensibilities, but the US group's albums will have been familiar to them.
Given that Mouzon and Vitous are the star members of the bandand that one of them is well known for having an ego the size of a watermelonit is surprising, but a blessing, that there is a near-complete absence of drum and bass solos on the album. Drummer and bassist are both prominent in the music, but Mouzon only solos on two tracks and Vitous on one. Most of the tracks are largely through-composed ensemble pieces. Some are raucous, others are more reflective. Kuhn's only tune is a lovely acoustic ballad on which he and Malik shine brightly.
The only downer on the set is the closer, "Nothing But A Party," which, as with hindsight the title hints, gets perilously close to disco. But hey, eight winners out of nine runners is a solid score, and anyone who enjoys Weather Report is likely to enjoy In Search Of A Dream too.
Side One: Nightmare; Electric Moon; Shoreline; The Light. Side Two: The Unknown Journey; The Ram And The Scorpio; In Search Of A Dream; Playing Between The Beat; Nothing But A Party.
Alphonse Mouzon: drums (1-9), organ (1), electric piano (5, 9), percussion (5), voice (8); Miroslav Vitous: electric bass (1, 3, 5-7, 9), acoustic bass (3, 4), Mini Moog (4), electric piano (4); Philip Catherine: electric guitar (1, 6, 7, 9), 12-string acoustic guitar (2, 5); Stu Goldberg: electric piano (6, 7), acoustic piano (2); Joachim Kuhn: electric piano (1, 2), acoustic piano (1, 3); Bob Malik: tenor saxophone (2, 3, 5, 7,9).
All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.
Go Ad Free!
To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.
We sent a confirmation message to . Look for it, then click the link to activate your account. If you don’t see the email in your inbox, check your spam, bulk or promotions folder.
Chris May is a senior editor of All About Jazz. He was previously the editor of the pioneering magazine Black Music & Jazz Review, and more recently editor of the style / culture / history magazine Jocks & Nerds.