Alto saxophonist Benjamin Drazen has been plying his trade around Manhattan's network of small jazz barsplaces like 55 Bar, Smalls, and The Garagefor over a decade. At long last, the New York native unveils his debut outing, Inner Flights. In a program of mostly original music, Drazen consistently delivers strong post-
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data-original-title="" title="">Gary Bartz. Paired with Drazen, his band is a juggernaut, everyone possessed of the frenetic, driving pulse destined to keep this music aloft.
Opening with an up-tempo blues, "Mr. Twilight," the melody skates through modal twists, accented by pianist
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data-original-title="" title="">McCoy Tyner-ish left hand. Drazen's opening, guns-a-blazing drive is met with the full support of the trio behind him. A
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data-original-title="" title="">Thelonious Monk tribute follows with "Monkish," a nod to the legendary pianist's more comedic side, à la "Raised Four." True to the title, Davis begins this track with a jagged piano intro.
The album's apex arrives in the middle of the program, with the title track. Here, Drazen switches to soprano, unleashing a dazzling Coltrane-esque solo. The energy is matched again on Davis's arrangement of the rarely-heard Kurt Weill standard "This Is New."
Drazen closes the set with the ballad show tune "Polkadots and Moonbeams," highlighting his affinity for
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data-original-title="" title="">Cannonball Adderley. The slower pace can be a trap for less experienced soloists, but for Drazen it's an incentive to be lyrical and swinging at the same time. A relaxed,
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