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Norman David: Intention
By
Herb Pomeroy
trumpet1930 - 2007
Eventually, David relocated to Philadelphia to take a teaching position in the Jazz Department of the Boyer College of Music at Temple University. The band continued to thrive in this city, has a performing home in the Plays and Players Theater at 1714 Delancey Street near Rittenhouse Square, and has released about half a dozen superb albums, all featuring David's compositions and bearing his unique soprano saxophone soloing and sophisticated style of composing and arranging which allows the musicians to play charts and improvise at very high levels, each with his own imprint.
The band's most recent release is called Intention and is consistent with the other albums in the series. The songs are David originals. The song titles are clever, esoteric, and suggestive in stimulating ways. In this particular recording, the arrangements are reminiscent of

Stan Kenton
piano1911 - 1979

Pete Rugolo
composer / conductor1915 - 2011
For starters, the opening number, "Let's Talk Later, Now" commences with David's soprano saxophone in as if in a brief statement at the beginning of a classical composition. It then takes on a distinctly conversational style as other musicians and their instruments enter the fray. Soon the metaphor of "conversation" takes on a quasi-realistic flavor as the notes merge together into "phonemes," the linguistic term for elements of sound in a word. The effect of speech sounds, initially surprising and engaging, then becomes disturbing, as the song's title suggests "Let's talk later..." A funereal dirge-like rhythm carries the music into histrionic territory that takes on a variety of forms and instrumentations, leading to a heady but mainstream alto saxophone solo by Matthew Urbina, as the ensemble playing takes on a more familiar modern jazz flavor. All this mayhem is suddenly silenced,
The title "Slappdash" means chaotically put together, and it is the individual listener's call whether that applies to this arrangement. A clarion statement on the trumpet leads up to a very swinging solo by tenor saxophonist

Dylan Band
saxophone, tenor"Happening Later Now" begins as a lazy modernist ballad with some interesting instrumentation illustrating how the eleven- instrument format combines small group improvising with big band unisons and harmoniesfor example, a great trumpet solo by

Tony DeSantis
trumpet
Scott Robinson
saxophone, tenorb.1959
"Exotic Chaotic" earns its title by its persistent willingness to shake things up with phrases that become more discombobulating. leading up to

J.J. Johnson
trombone1924 - 2001

Randy Kapralick
trombone
Frank Rosolino
trombone1926 - 1978
,"It Would Be Good" starts with a melody on soprano (and other) saxophones, and interesting counterpoints of trombone. There are great solos by trombonist Kapralick, and, later, tenor saxophonist

Dylan Band
saxophone, tenorIn "Guy Of Darkness," the "darkness" is connoted by lower notes and somber sound. That is followed by an exceptional bowed bass solo by Sandy Eldred that belongs in a psychiatric manual as a Kafka-esque example of a nervous breakdown. The mood then shifts from emotional distress to a lumbering statement like the walk in the "Catacombs" in Moussorgsky's "Pictures at an Expedition." Then there is a plucked, staccato bass ramble that ascends to higher registers and sounds like a witch giving birth. The piece ends with more of Eldred's bass soloing with short bursts from various other instruments. David's use of the word "guy" instead of the usual "prince" of darkness suggests the devil to be a half-wasted jazz musician on drugs rather than a piss-pure member of a royal family.
The album draws a manner of "Added Strength" from the concluding song which combines traditional swing band cheerfulness with a measure of modernity. David's arrangement offers well-articulated punctuation and backup by different sections. DeSantis' marvelous- as-usual trumpet solos are reminiscent of both

Doc Severinsen
trumpetb.1927

Clark Terry
trumpet1920 - 2015
Track Listing
Let's Talk Later, Now; Slappdash; Happening Later Now; Exotic Chaotic; Endless Beginnings; Elongated Intro; Ingredients; Intention; It Would Be Good; Guy Of Darkness; Added Strength
Personnel
Norman David
saxophoneAndrew Urbina
saxophoneDylan Band
saxophone, tenorScott Robinson
saxophone, tenorAndrew Connors
trumpetTony DeSantis
trumpetRandy Kapralick
tromboneJarred Antonacci
tromboneTom Lawton
pianoSandy Eldred
bassConnor Saltzer
drumsAlbum information
Title: Intention | Year Released: 2024 | Record Label: Each and Only
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