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Itai Kriss & Telavana At The Jazz Room

Courtesy Daniel Coston
Tel Aviv + Havana = Telavana. The band name defines the main elements in the sound: Cuban music combined with Middle Eastern sounds, along with some other Caribbean influences.
Itai Kriss
flute
Wayne Tucker
trumpet
Alon Yavnai
piano
Tamir Shmerling
bass
Samuel Torres
percussionb.1976

Dan Aran
drumsb.1977

Amos Hoffman
oudb.1970
The meaning of the group name is evident if you think about it: Tel Aviv + Havana = Telavana. The band name defines the main elements in the sound: Cuban music combined with Middle Eastern sounds, along with some other Caribbean influences. The next tune was "Rak Beinatayim" (composed by Nurit Hirsh, arranged by Kriss) from the first album Telavana (Avenue K Records 2018), an Israeli tune arranged in Cuban style. It included a montuno section with coro vocals, a Cuban music mainstay. The round of solos featured trumpet, flute and electric guitar, and included a conga solo over a vamp. "Snowflake" began with a spellbinding unaccompanied electric bass solo. After being joined by the rest of the rhythm section as well as flute and fluegelhorn, Shmerling returned for another very lyrical bass solo. The tune was quite a showcase for his excellent playing.
As a freelance musician who had all his gigs canceled, Kriss said that he had taken the COVID pandemic as a challenge. He tried to compose a new tune every day for 100 days. Looking back on them, he jokingly acknowledged that they weren't always great. The previous tune "Snowflake" was also known as "Day 66." Many more of them found their way onto Supermoon (Ave K Records 2021), where most of them were given astrological titles in keeping with the album's zodiac cycle theme. "Sagittarius" has a hypnotic Middle Eastern flavor, greatly enhanced by Hoffman's oud playing. He was featured in an extended solo accompanied only by bass and percussion.
"El Alacran" (Scorpio) was next, another Cuban tune, which featured Hoffman on electric guitar this time. The performance was also graced by the elegant belly dancer Elena Nayiri (who accompanied the band from New York City), resplendent in a red and gold outfit and carrying two swords. Afterward, Kriss told the story of his early days playing with Hoffman at the jam sessions he would host during his weekly trio gigs in Tel Aviv. He considers Hoffman a mentor, even if Hoffman was not aware of it. At the very least, it showed how far back their musical relationship goes. Hoffman played a sinuous oud solo to introduce the next piece, which also included an expansive, lyrical unaccompanied piano solo from Orozco (powerful enough to recall

Keith Jarrett
pianob.1945
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