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Roseanna Vitro at Jazz at the Joint

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Courtesy John Abbott

By C. Michael Bailey
June 20, 2022
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Roseanna Vitro
Jazz At The Joint
North Little Rock, AR
May 9, 2021

In Arkansas, when Spring smiles, she reveals a gold incisor of Summer, promising humid warmth and languid pace. So it was entering The Joint Comedy Theater in North Little Rock, on May 9. However, on the second Monday of each month, The Joint Comedy Theater transforms into Jazz at the Joint, a series presented by guitarist

Ted Ludwig

guitar
b.1974

" data-original-title="" title="">Ted Ludwig, who brings in top-drawer jazz performers to join him and his trio. Ludwig was part of the 2005 Hurricane Katrina diaspora who moved to Little Rock to set up shop and a residence at the Capitol Hotel with his trio that was to last until the COVID Pandemic in 2020. Now an Arkansan with a mouth full of NOLA sweetness, Ludwig takes an active role in rejuvenating the arts in central Arkansas.

Located in the Argenta Historic District, The Joint Comedy Theater is a cabaret performance space and coffeehouse, managed by the husband and wife team of Adam and Sarah Farrell, offering live entertainment and the best locally-roasted coffee in Central Arkansas. When not hosting Jazz At The Joint, the theater is residence to the comedy review, The Main Thing, The Arkansas Songwriter Showcase, and the Argenta Acoustic Music Series, as well as other events. The Theater is a quaint and intimate confine serving snacks, a large selection of craft beers, custom cocktails, and fine wines. It is a cozy space, bragging deeply of home.

This edition of Jazz at the Joint is also a homecoming for the featured artist,

Roseanna Vitro

vocals
b.1954

" data-original-title="" title="">Roseanna Vitro. Born in Hot Springs, Vitro had an enviable exposure to a wide swath of music, deriving inspiration from gospel, rock, rhythm and blues, musical theatre, and classical music. During the 1950s, when Hot Springs was an open city, Vitro's father owned the famous Flamingo Nightclub. He loved Dean Martin's music and Italian opera, while the singer's mother's family sang gospel music. A child of the '60s, Vitro gravitated to Houston in pursuit of the blues and rock of her idols:

Lightnin' Hopkins

guitar
1912 - 1982

" data-original-title="" title="">Lightnin' Hopkins,

Johnny Winter

guitar, electric
1944 - 2014

" data-original-title="" title="">Johnny Winter,

Bonnie Raitt

guitar and vocals
b.1949

" data-original-title="" title="">Bonnie Raitt, and

Tracy Nelson

b.1947

" data-original-title="" title="">Tracy Nelson. This music proved foundational for her development. She was encouraged to delve deeply into jazz, ultimately living the music as prot��g�� to Texas tenor man

Arnett Cobb

saxophone, tenor
1918 - 1989

" data-original-title="" title="">Arnett Cobb and singer-educator Ray Sullenger.

In 1978, Vitro moved to New York City where she studied with Gabor Carelli, a professor from the Manhattan School of Music, and began performing with pianists

Kenny Werner

piano
b.1951

" data-original-title="" title="">Kenny Werner and

Fred Hersch

piano
b.1955

" data-original-title="" title="">Fred Hersch. She sang with

Lionel Hampton

vibraphone
1908 - 2002

" data-original-title="" title="">Lionel Hampton and toured with him. She has appeared at The Blue Note, Iridium, Birdland, and Dizzy's Jazz Club at Lincoln Center. She appeared with

Steve Allen

composer / conductor
1921 - 2000

" data-original-title="" title="">Steve Allen at The Town Hall at The Apollo Theater and recorded an album of Allen's songs. In 2005 she performed and recorded with the

Kenny Werner

piano
b.1951

" data-original-title="" title="">Kenny Werner Trio at the John F. Kennedy Center in Washington D.C. Vitro hit a high-water mark with her recording The Music of Randy Newman (Motema, 2011) which received a rare 4 1/2 stars in Down Beat magazine and a Grammy nomination for Best Jazz Vocal Album in 2012. The singer's most recent recording is Sing A Song Of Bird (Skyline Records, 2021), a beautiful affair that included singers

Sheila Jordan

vocals
1928 - 2025

" data-original-title="" title="">Sheila Jordan,

Bob Dorough

vocals
1923 - 2018

" data-original-title="" title="">Bob Dorough (in one of his last recordings), and

Marion Cowings

vocals

" data-original-title="" title="">Marion Cowings, alto saxophonist

Gary Bartz

saxophone, alto
b.1940

" data-original-title="" title="">Gary Bartz, and pianist

Alan Broadbent

piano
b.1947

" data-original-title="" title="">Alan Broadbent.

But this particular early May night was all about Vitro and her homecoming. While circuitously making her way to Little Rock, the singer stopped off in Texas to gather up two sisters and various younger relatives making the event a family affair. Her performance was in keeping with previous Jazz At The Joint performances where the concert is presented in two segments separated by a brief intermission, the first segment typically being longer than the second. The singer's recital was derived from her many recordings, beginning with a breezy island rendition of "Reza" from her recording Tropical Postcards (A Records, 2004). After a solid "Blue Skies," Vitro dug deep on

Bill Evans

piano
1929 - 1980

" data-original-title="" title="">Bill Evans' "Funkallero," before addressing her new Sing A Song Of Bird with "Grapple From The Apple" with lyrics penned by noted sound engineer and husband Paul Wickliffe, delivered with an anti-bebop laconic flair. Her cover of

Betty Carter

vocals
1929 - 1998

" data-original-title="" title="">Betty Carter's "Do Something," from Live At The Lincoln Center (Challenge Records, 2006), was saucy and ripe.

Ludwig led his long-standing trio of bassist

Joe Vick

bass

" data-original-title="" title="">Joe Vick and drummer

Brian Brown

drums
b.1933

" data-original-title="" title="">Brian Brown. This unit has been a part of the Little Rock landscape for 20 years, long enough to be taken for granted. So integrated are the creative personalities in this band, they rival great trios of the past like that of

Bill Evans

piano
1929 - 1980

" data-original-title="" title="">Bill Evans and Oscar Petersen. A perfect fit for Vitro, whose chops, reputation, and loving presence were enhanced by the collaboration.

After a brief intermission, the group returned with a brief set highlighted by a somber "Willow Weep For Me," featuring bassist Joe Vick (who must receive major kudos for all of the well-deserved feature time he had). Perhaps the show highlight was Vitro's nod to another Arkansan,

Bob Dorough

vocals
1923 - 2018

" data-original-title="" title="">Bob Dorough, whom she honored by a rousing performance of his touchstone, "Devil May Care." Vitro and the band closed with Oscar Brown, Jr. "Long As You're Living," in a nod to Abby Lincoln, demonstrating Vitro's innate talent and generosity to all. A local affair, a family affair, Roseanna Vitro's performance underlines that there really is no place like home.

Setlist

Reza; Blue Skies; Funkallero; Grapple From The Apple; Do Something; intermission; Laughing At Life; Willow Weep For Me; Devil May Care; Long As You're Living.

Musicians

Featured Artist: Roseanna Vitro: vocals; Ted Ludwig: guitar; Joe Vick: bass; Brian Brown: drums.

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