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Joe Harriott Quintet: Joe Harriott Quintet: Movement / High Spirits
By
John Surman
saxophoneb.1944

Mike Westbrook
composer / conductorb.1936

Stan Tracey
piano1926 - 2013

Don Rendell
saxophoneb.1926

Ian Carr
trumpet1933 - 2009
Two British companies stand out from the rest in all respects-Beat Goes On and Dutton-Vocalion. Over the last few years, both labels have ensured the availability of records that tell the rich and varied story of British jazz in the 1960s. Ideally, one would like to see expensive,

Mosaic
saxophone, tenorHarriott's career is beautifully recalled in Alan Robertson's biography, Fire In His Soul (Northway 2012). The Jamaican alto saxophonist recorded and released ten LPs for Denis Preston's Lansdowne Series between 1960-69. Of these, three saw him experiment with an abstract approach to jazz that paralleled but was quite different from saxophonist

Ornette Coleman
saxophone, alto1930 - 2015
Movement is perhaps the best representation of a typical Joe Harriott Quintet gig of the period, combining as it does straight-ahead tracks with his free-form work. British pianist

Brian Dee
pianob.1936
So, it opens with the easy swing of "Morning Blue" with Harriott's alto warm, sunny and optimistic and

Shake Keane
trumpet1927 - 1997

Coleridge Goode
bass1914 - 2015
"Count Twelve" is pure bebop rooted in the blues with some simply lovely flugelhorn from Keane and delightful piano from

Pat Smythe
piano1923 - 1983
Bobby Orr
drumsb.1928

Michael Garrick
piano1933 - 2011
The album concludes with three tracks: "Spaces," which was arguably the most abstract piece Harriott ever recorded; the fine, if mainstream bop "Spiritual Blues," with some great bowed bass from Goode and excellent drums from Bobby Orr; and the album's title track. "Movement" itself has an intensity not found in all of Harriott's free form work. It's a stunning group tour de force, again building from comparatively simple melodic materials into something that is dark, brooding and even slightly unsettling. Of the two records in this package, Movement is the one that is absolutely essential. Were it not for these earlier achievements, High Spirits might come more highly recommended. It is of a much lighter weight but it does have its share of pleasures. It is doubtful that Harriott could ever have made a bad record and, by most other people's standards, this would be top flight.
The shortcoming of High Spirits lies in the sense that these show tunes, from the musical based on Noel Coward's play Blithe Spirit, are really fairly average West End/Broadway fare. "You'd Better Love Me" is a case in point. It really doesn't deserve Pat Smythe's elegantly poised solo. Smythe did the arrangements here and he made a more than adequate fist of the task. In fact, Smythe has the album's finest moment in his lovely, limpid performance on "Forever and a Day." The band's playing, however, is lively and authoritative throughout, and Shake Keane is on wonderful form and particularly so on "If I Gave You." There's also a certain poignancy to the way Harriott plays on each of these eight tracks, almost as if somehow he can compensate for the lack of depth to the original tunes. In any other context, his solos on "I Know Your Heart" and "Was She Prettier Than I?" would count as prime Harriott. Perhaps, this a little ungenerous. This is a strong pairing of one very good record with another that is more than acceptable. Many people may want this release for Movement alone, in which case High Spirits is a bonus.
Tracks and Personnel
Movement
Tracks: Morning Blue; Beams; Count Twelve; Face in the Crowd; Revival; Blues on Blues; Spaces; Spiritual Blues; Movement.
Personnel: Joe Harriott: alto saxophone; Shake Keane: trumpet, flugelhorn; Pat Smythe: piano; Coleridge Goode: bass; Bobby Orr: drums.
High Spirits
Tracks: Home Sweet Heaven; If I Gave You; Go Into Your Trance; You'd Better Love Me; I Know Your Heart; Was She Prettier Than I?; Forever and a Day; Something Tells Me.
Personnel: Joe Harriott: alto saxophone; Shake Keane: trumpet, flugelhorn; Pat Smythe: piano; Coleridge Goode: bass; Bobby Orr: drums. ">
Track Listing
Tracks: Movement>: Morning Blue; Beams; Count Twelve; Face in the Crowd; Revival; Blues on Blues; Spaces; Spiritual Blues; Movement. High Spirits: Home Sweet Heaven; If I Gave You; Go Into Your Trance; You’d Better Love Me; I Know Your Heart; Was She Prettier Than I?; Forever and a Day; Something Tells Me.
Personnel
Joe Harriott
saxophonePersonnel: Movement Joe Harriott (as), Shake Keane (tp, flhn), Pat Smythe (p), Coleridge Goode (b), Bobby Orr (d). Rec. 1963. Personnel: High SpiritsJoe Harriott (as), Shake Keane (tp, flhn), Pat Smythe (p), Coleridge Goode (b), Bobby Orr (d). Rec. September 1964.
Album information
Title: Joe Harriott Quintet: Movement / High Spirits | Year Released: 2012 | Record Label: Dutton Vocalion
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