Art inspired by work in another medium can be difficult to successfully resolve—the old adage, "dancing about architecture," comes to mind. In the hands of a truly talented and empathetic artist however, such creative cross-pollination can bear surprisingly fruitful results, occasionally developing new potential for expression beyond the preconceived limitations of each respective form.

Landscape Scripture is a highly accomplished and fully realized example of this concept. The fifth album by guitarist Scott DuBois (his third for Sunnyside Records), this record draws inspiration from the Impressionist paintings of Claude Monet—specifically his seasonally thematic Haystacks series. Capturing subtleties in lighting, temperature and texture, DuBois' aural interpretations of Monet's varied canvases convey the rising potential of spring, the celebratory warmth of summer, the wistful melancholy of autumn and the meditative calm of winter, in all their multihued glory.

Eschewing the intricate contrapuntal structures that dominated his quartet's previous releases, DuBois penned a series of melodically straightforward pieces for this evocative session, including two long-form works directly inspired by more familiar landscapes—the panoramic vistas of his home state of Illinois. The sanguine "Prairie Suite" builds to an ecstatic climax reminiscent of the New Thing's transcendent spirituality, while the episodic "Lake Shore Suite" boasts an array of kaleidoscopic detours, ranging from German multi-instrumentalist