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Paul Motian: Live at the Village Vanguard, Vol. II

By Ted Gordon
May 28, 2009
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This is indoor music: music for contemplating, sitting and smoking, letting it smolder in the ears and grow. Paul Motian, the veteran drummer whose mature, idiosyncratic percussive language has been shaped by years of playing with

Bill Evans

piano
1929 - 1980

" data-original-title="" title="">Bill Evans,

Paul Bley

piano
1932 - 2016

" data-original-title="" title="">Paul Bley,

Keith Jarrett

piano
b.1945

" data-original-title="" title="">Keith Jarrett and others, shines on this album: he seems completely at home, considered, even slow at some points. Nearly a generation after he recorded the legendary session at the Village Vanguard with Evans in 1961, Motian returned with his Trio 2000 ensemble, a group with

FLY

band / ensemble / orchestra

" data-original-title="" title="">FLY (bass) and

Chris Potter

saxophone, tenor
b.1971

" data-original-title="" title="">Chris Potter (tenor saxophone). They were joined by "+ Two," really + Three: pianist

Masabumi Kikuchi

piano
1939 - 2015

" data-original-title="" title="">Masabumi Kikuchi, alto saxophonist

Greg Osby

saxophone
b.1960

" data-original-title="" title="">Greg Osby and violist

Mat Maneri

viola
b.1969

" data-original-title="" title="">Mat Maneri, though Osby or Maneri sit out while the other is playing. This music is very different from that of Evans all those years ago: less rhythmic and more percussive, less melodic and more tonal, less virtuosic and more personal.

This album was preceded by another tremendous release from the same run and it delivers more of the same; frankly one wonders why the two discs weren't released as a two-CD set. Motian's atmospheric, freely flowing drumming is perfectly paired with Kikuchi's highly chromatic harmonic underpinnings, turning standard (even hackneyed) tunes, such as "'Till We Meet Again" and "If You Could See Me Now," into emotional, angularly improvised compositions, usually featuring extended solos by Potter and Kikuchi. Motian and Grenadier often take a back seat, highlighting the interaction between Potter and Kikuchi, which reaches a climax in the transition between Motian's "Ten" and "Divider." (Listening with good headphones reveals Kikuchi's humming, which adds to the intensity of his improvisation.)

Maneri is less prevalent on this disc, appearing only on a few tracks; his solo on "Fiasco," however, is perfectly timed and blends very nicely with Potter's tenor. His viola's tone recalls a very dark

Stephane Grappelli

violin
1908 - 1997

" data-original-title="" title="">Stephane Grappelli, had he been less obsessed with fast licks and more with expressive, unusual improvisation. That cool, creative sentiment dominates this album and makes it a true pleasure to digest.

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Track Listing

Till we meet again; Sunflower; The third walk; Ten; The divider; If you could see me now; Fiasco.

Personnel

Paul Motian

drums

Paul Motian: drums; Chris Potter: tenor saxophone; Larry Grenadier: bass; Greg Osby: alto saxophone; Mat Manieri: viola; Masabumi Kikuchi: piano.

Album information

Title: Live at the Village Vanguard, Vol. II | Year Released: 2009 | Record Label: Winter & Winter

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