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Roddy Ellias Trio: Monday's Dream

By John Kelman
April 14, 2014
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Since returning home to Ottawa after spending much of his adult life as an associate music professor at Concordia University in Montr��al, Roddy Ellias may have retired but he's far from slowing down. Retirement's just a word, but for this extraordinary guitarist it's clearly been a liberating one; based on Monday's Dream, his first recording since returning to Ottawa, it's suiting him very, very well, indeed.

While he still plays a hollow body electric guitar on occasion, Ellias' main axe has been, for many years, a nylon-string classical guitar—suited, as it is, for his interest in contemporary new music, jazz and classical repertoire. If there are hints of

Ralph Towner

guitar
b.1940

" data-original-title="" title="">Ralph Towner in Ellias' often abstruse but nevertheless compelling compositions, it's because the two share a commonality: the evolution of harmonic languages that make them unmistakable from the first notes of a tune, whether it's a standard like

Antonio Carlos Jobim

piano
1927 - 1994

" data-original-title="" title="">Antonio Carlos Jobim's "How Insensitive," performed in his occasionally convening duo with Jersey-based guitarist

Vic Juris

guitar
1953 - 2019

" data-original-title="" title="">Vic Juris at the 2013 GuitarNow! workshop in Ottawa last spring, or on Monday's Dream's ten originals that range from relatively new compositions like the darkly lyrical title track, which features an appropriately melody-centric solo from bassist

Adrian Vedady

bass

" data-original-title="" title="">Adrian Vedady, to "Somewhere Under the Rainbow," an oblique a cappella solo piece originally played in duo with pianist Dave Hildinger, an also retired but influential educator and inspiration on the Ottawa scene.

Where comparisons to Towner fall apart is in Monday's Dream's sound, though that's not to suggest it's a problem—only that it's very different from Towner's more reverb-heavy sound on his many recordings for ECM Records. Here, with every single note, every single percussive texture crystal clear and the overall delicacy of Ellias' writing—and the playing of his Montreal-based trio that also includes drummer

Thom Gossage

drums

" data-original-title="" title="">Thom Gossage—the sound is very dry and in your face; rather than the larger room sound so definitive of Towner's recordings, Monday's Dream feels more intimate, a small space recording where the trio is but a few feet away.

The album's title track may well reflect its atmospheric, quieting nature, but for those expecting "Shuffle Boogie" to be some kind of shuffling blues, think again. Instead, a series of repeated intervallic-driven guitar lines that hint, only occasionally, at something more akin to the "boogie" of its title, create the foundation for another impressive opening bass solo supported by Gossage's delicately placed hand percussion, leading to a sublime feature from Ellias that begins as a duo with Gossage but ultimately turns trio, with Vedady a contrapuntal partner rather than temporal anchor.

A considered player loathe to waste any notes to excess, Ellias' approach may seem decidedly left of center, with a clearly personal idea of how beauty is defined, but with rare exception Monday's Dream is an unapologetically beautiful record, one of subtle delicacy and elegance, and alluring grace and finesse. If this is what retirement means for Roddy Ellias, let's hope he enjoys a long one; with recordings like Monday's Dream the result, he'll clearly not be the only one to feel the benefit.

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Track Listing

Little One; Shuffle Boogie; Too Far; The Lopsided Robot; Chorale; Calm; Big Bass Song; Somewhere Under the Rainbow; Evening Sky Dance; Monday's Dream.

Personnel

Roddy Ellias

guitar

Adrian Vedady

bass

Thom Gossage

drums

Album information

Title: Monday's Dream | Year Released: 2014 | Record Label: Kwimu Music

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