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data-original-title="" title="">Carlos Ni?o is active in jazz and new age music. His new age work, though immaculately crafted, is of limited interest from an AAJ perspective. But his jazz projects repay close attention. An early landmark was Horace (Elephant, 2001), singer
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data-original-title="" title="">Kamasi Washington, who guested on Carlos Ni?o & Friends' excellent Flutes, Echoes, It's All Happening! (Leaving, 2016), and drummer
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data-original-title="" title="">Makaya McCraven, whose breakout album, Universal Beings (International Anthem, 2018), featured Ni?o and tenor saxophonist
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data-original-title="" title="">Shabaka Hutchings, who is heard on two tracks on More Energy Fields, Current, in unusually chilled-out mode.
More Energy Fields, Current straddles the intersection of jazz and new age music and features a rolling cast of musicians, including Kamasi Washington, keyboard player Jamael Dean, tenor saxophonists Hutchings and
The album's soundbeds are expansive and laidback, with the notable exception of those on two midway tracks, "Thanking The Earth," a bassy, restless affair featuring
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data-original-title="" title="">Nate Mercereau on guitar synth, and "Salon Winds," where Jamire Williams' drum patterns introduce a relatively urgent note. Shabaka Hutchings is featured on the opening track, "Pleasewakemeupalittlefaster, Please," and, more extensively, on the closer, "Please, Wake Up," sounding atypically chilled.
Ni?o's liner note for "Pleasewakemeupalittlefaster, Please" reads: "We're all in this together. I look forward to living in a much higher, much more conscious, harmonious state, here, with You, on this Magical Planet Earth." Cynics might dismiss this as Southern Californian psychobabble but, actually, it is a noble sentiment, to which one might add: No one here gets out alive, but while we are present, let us make it a better place.
Pleasewakemeupalittlefaster, Please; The World Sings, 4321 Degnan Boulevard, Los Angeles, California 90008; Nightswimming; Now The Background Is The Foreground; Thanking The Earth; Salon Winds; Ripples, Reflections, Loop; Togetherness; Lasos ’79 ‘Til Infinity; Please, Wake Up.
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Chris May is a senior editor of All About Jazz. He was previously the editor of the pioneering magazine Black Music & Jazz Review, and more recently editor of the style / culture / history magazine Jocks & Nerds.