Muhamed Ibrahimi
Audiokultura club
Skopje, Macedonia
November 1, 2024

The intimate shows at Audiokultura Club always bring a thrill, gathering diverse performers in a close, engaging setting for an audience of around 50. But Audiokultura is more than a small club—it's a creative space where the Teoharovi team designs high-tech music equipment, and once a week, they invite exceptional artists from jazz, folk, ambient, and other experimental genres to perform. This blend of artistry and innovation fosters a unique listening room and workshop environment where music lovers can appreciate both the art and the sound itself.

Muhamed Ibrahimi's performance at Audiokultura Club was a captivating display of acoustic artistry. Seeing him play guitar and mandolin is always a rewarding experience, as his self-taught background brings a unique character to his music. Without the constraints that formal training sometimes imposes, Ibrahimi's playing is raw, authentic, and full of melodies and harmonies that feel almost otherworldly. His mastery of the acoustic guitar, particularly his inventive use of alternate tunings, transformed the instrument into a near-orchestral sound, exploring a dynamic range of soundscapes.

Though Ibrahimi has only two records to his name, he premiered new material, further showcasing his versatility and imagination. His playing style is innovative and compelling, blending thoughtful, imaginative fretwork with a clear attention to song structure and melody. The basic character of his tunes remained intact, but he added subtle embellishments that brought richness and depth. Melodic lines intertwined like vines, with each note crafted carefully to bring his compositions to life. Ibrahimi's approach to music leans towards the old and overlooked, evoking the spirits of long-dead blues and folk-rock pioneers or inventive modern-day guitarists with each stroke. He seamlessly channels guitarists like Richard Thompson, Bert Jansch, and Mike Oldfield in his playing.

The pieces he played flowed seamlessly from one to the next, creating a cohesive musical journey that felt both structured and exploratory. This balance of form and spontaneity highlighted his command over his craft. Ibrahimi's versatility was on full display, moving between guitar and mandolin with ease. Though he played guitar predominantly, his shifts to mandolin added a new texture, from soft, introspective moments to more complex, rhythmic sections, keeping the set engaging from start to finish.

Audiokultura Club's intimate setting proved ideal for Ibrahimi's music. The sound quality allowed every nuance of his performance to shine, from delicate vibratos to subtle dynamic shifts that added warmth and complexity. His playing was both thoughtful and deliberate, drawing the audience fully into his world.

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