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Music a la Carte: Andrea Clearfield's Salon in Philadelphia
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Outside of Paris, salons (other than the ones women go to for a hairdo!) are not that common. Certain salons have played a role in the rich literary scene in Greenwich Village. Doubtless others have been held and are still occurring in various U.S. cities, but one rarely hears of one that is a true creative force. A notable exception is composer Andrea Clearfield's musical salon in Philadelphia.
Held each month in her Center City home, it brings together musicians and other performing artists to provide an eclectic mix of novel and stimulating performances for a small audience of sophisticated music lovers. Clearfield started it more than twenty years ago, and it has been going strong in its own private and sweet way since then. The musicians love it so much that they provide their music gratis, for its sheer enjoyment and for an opportunity to mingle with and listen to other performers on the cutting edge.
This writer heard praise about Clearfield's salons a few years ago from jazz musicians like

Tom Lawton
piano
Uri Caine
pianob.1956

Tony Miceli
vibraphoneb.1960
The Philadelphia Magazine honors for "best highbrow fun" barely scratches the surface. The salon, as Clearfield arranges and hosts it, provides an opportunity to hear music in its immediate creative foment, and to fully appreciate how musical classifications like "jazz," "classical," "pops," "folk," and so on are insignificant in comparison with the expressive universality of sound and rhythm of all kinds.
Music is simply music, and what really makes it go is its power and ability to communicate ideas and feelings. When you hear, as happened on this particular evening, a string quartet play a

Joni Mitchell
vocalsb.1943

For more details of what went on, I can do no better than to recap Clearfield's program for the evening, with a few comments of my own in italics:
Prelude from the balcony: Melissa Perry, soprano with Hugh Kronrot. (Both traditional and lesser heard Christmas music by a fine soprano.)
Paul Fejko performs holiday improvisations. (Fejko is musical genius, a pianist and composer who studied at Curtis with the likes of Rudolf Serkin; he improvised complex pieces that tore apart the piano and the audience.)
Nicole Sauder, violin, with Jean Schneider, piano play the first movement of Beethoven's "Spring" Sonata, Op. 24. (Just beautiful straight-ahead classical music; Sauder is a young woman who is destined for concert-hall success.)
Theresa D'Amico, soprano with Akiko Hosaki, pianist perform works by Barber, Quilter, Rorem and Martin. (A fine and subtly articulated hommage to our best American composers in the German "lieder" tradition.)
Kenny Ulansey, sax with Paul Butler, clarinet play klezmer and more. (Two wild and crazy guys doing everything imaginable and whose takeoffs on Stravinsky make him into an anachronism.)
Lenny Seidman's Tabla Choir with Lenny Seidman, Mike Nevin and Dan Skholnick. (Simply astonishing ensemble percussion work.)
HuDost: Jemal Wade and Moksha Sommer perform alternative world music. (Absolutely incredible; middle eastern belly dance music followed by a country and western tune-who else does that?)
Lindsay Gilmour, vocals and Jim Fogarty, guitar perform contemporary folk music. (A variety of traditional and original songs done with sophistication and flair.)
Take the Lead Dancers: Jennifer Jansen and Garincha Hilaire perform Latin dance. ("West Side Story" meets "Swan Lake"-a creative and expressive mix of aggressive, modern, and traditional ballet.)
Tom Lawton plays solo piano improvisations and deconstructions of Haydn's Sonata in C Major. (Lawton stated the classical theme, and took it into boogie-woogie, hypermodern, and ultra-dissonant grotesque stratospheres that constantly startled and amazed the listeners.)
Michelle Lewis performs original acoustic folk/rock. (A real comer-studied at the prestigious Berklee Conservatory; has a "lost child" style all her own.)
John Conahan (voice/piano) plays original and holiday music with Michele Bishop (violin), Eliza Cho (violin), Scott Wagner (viola), and Andrea Weber (cello). (Conahan rendered his cabaret-type songs with passion and humor; and his rendition of Joni Mitchell's "The River" with string quartet was done with great sincerity and emotion.)
The Salon is held monthly. The performers and the types of music will vary considerably. The suspense about who and what will be involved is part of the excitement, although Clearfield sends the salon-goers an advance email with details of each upcoming program.
Photo Credit: John Hayes
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