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Alyssa Allgood
Alyssa Allgood is an award-winning jazz vocalist, composer, arranger and educator with a compelling voice in the modern jazz landscape. Described as “assured and daring” by Downbeat Magazine and “a model of sophisticated song interpretation” by the Chicago Tribune, the Chicago-based artist boldly weaves soulful storytelling and rich improvisational language through original compositions, captivating arrangements and a lyrical focus of self-love and human connection.
Allgood’s exhilarating fourth album, “From Here”, is due April 19, 2024 on Next Records. Recorded with internationally renowned musicians John Patitucci, Kendrick Scott, Geoffrey Keezer and Greg Ward, the music showcases a modern approach to jazz singing with musical interaction and vocal freedom at its core. The album features 10 original songs which show Allgood reaching a new pinnacle of personal expression, emotional observation and artistic achievement. Her three previous albums — What Tomorrow Brings (Cellar Music, 2021), Exactly Like You (Cellar Music, 2018), and her self-released debut Out of the Blue (2016) — trace the remarkable trajectory of a vocalist admired for the clarity of her instrument, the sureness of her phrasing, the range of her improvising, and the burgeoning depth of her interpretative skills.
Allgood first made her name in such legendary Chicago clubs as the Green Mill and the Jazz Showcase, through residences at Winter’s Jazz Club — where she has delved into the songbooks of jazz’s classic divas (Ella Fitzgerald, Carmen McRae, Dinah Washington) — and at the internationally renowned Chicago Jazz Festival. Appearances followed in New York’s famed Birdland, Jazz at Lincoln Center Shanghai (China) and the Shadbolt Centre for the Arts (British Columbia). She was a semifinalist in the 2015 Shure Montreux Jazz Voice Competition, where jazz icon Al Jarreau led the jury, before winning the Inaugural Ella Fitzgerald Jazz Voice Competition (2017) and the David Baker Memorial Scholarship offered through the Jazz Education Network (2022). Closer to home, she was a 2016 Jazz Improvisation Fellow of the Luminarts Cultural Foundation in Chicago and was named Best Jazz Entertainer in the Chicago Music Awards (2019).
A passionate educator, Allgood teaches in the Jazz Department at the University of Illinois at Chicago. She empowers her students to learn with intention and curiosity while building community and inspiring mindfulness through the jazz artform. Allgood is a highly sought-after clinician and has presented masterclasses at many esteemed institutions including the Jazz Education Network Conference, the Illinois Music Educators Association, the Iowa Choral Directors Association, Anchor Music’s Vocal Jazz Academy, Jazzvoice.com, the University of Chicago and Drake University.
Awards
2023 - International Songwriting Competiton Finalist
2023 - John Lennon Songwriting Contest Finalist
2022 - David Baker Memorial Scholarship Jazz Education Network
2022 - International Songwriting Competition Semifinalist
2020- Project grants from Illinois Arts Council and Chicago Department of Cultural Affairs
2019 -Chicago Music Awards Best Jazz Entertainer
2017 - Inagural Ella Fitzgerald Competition Winner
2016 - Luminarts Cultural Foundation Jazz Improvisation Fellow
2015 - Montreux Jazz Voice Competition Semifinalist
Tags
Alyssa Allgood, John Minnock, and Ron Miles

by Jerome Wilson
This show features new music from Alyssa Allgood, John Minnock, and Ron Miles and older work by Prince Lasha, Lee Konitz, and Barry Harris.Playlist Henry Threadgill Sextett I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 Fred Hersch Trio Calligram" from Sunday Night at the Vanguard (Palmetto) 00:56 David Bixler Peace Prize" from BEATitude (Tiger Turn) 5:59 Host Speaks 13:22 Jack Walrath Grandpa Moses" from Live ...
Continue ReadingKenny Reichert: Switch

by Mark Corroto
Chicago guitarist Kenny Reichert works extremely hard to make his sound come across as casual on Switch. If you do not count the numerous discs with his partner Sara d'Ippolito Reichert, this is his third release as a leader. It follows Deep Breath (Shifting Paradigm Records, 2023) and returning from that previous outing are vocalist Alyssa Allgood and drummer Devin Drobka. Anchored by the rock steady pulse of bassist Ethan Philion, the title track opens with Reichert and ...
Continue ReadingKenny Reichert: Deep Breath

by Richard J Salvucci
Kenny Reichert is a Chicago-based guitarist of broad background, Berklee training, and wide-ranging tastes in pop and jazz. He has self-released one studio album, Interpretations (2015). Reichert records mostly originals. If you are looking for influences, Spears" (a play on Sphere"?) sounds Thelonious Sphere Monk-ish enough, with plenty of solo space for saxophonist Tony Barba woven in. Barba can hold his own with anyone. Reichert does not shy away from vocals either. His lyricist and singer is Alyssa ...
Continue ReadingPaul Marinaro: Not Quite Yet

by Pierre Giroux
Singer Paul Marinaro issued his acclaimed debut album Without A Song (122 Myrtle Records) in 2013. Seven years after the release of his follow-up, One Night In Chicago" (122 Myrtle Records), and with almost a decade of performing from coast to coast at top-end clubs, including New York's Birdland, he has released Not Quite Yet, which is devoted to exploring timeless themes, such as life, love and the search for lasting connections. Accompanying Marinaro are longtime band members guitarist Mike ...
Continue ReadingPaul Marinaro: Not Quite Yet

by Richard J Salvucci
The cover of the album is vaguely noir, with the urban greenish cast of tungsten film. A sole figure leans slightly against a building, downcast, staring into his soul, and waiting out a lit cigarette when it was still hip to smoke. The guy is Frank Sinatra and the album was In The Wee Small Hours. The year is 1955. It is difficult to believe that Chicago-based vocalist Paul Marinaro has even been born, but clearly, Sinatra will make an ...
Continue ReadingAlyssa Allgood: What Tomorrow Brings

by C. Michael Bailey
In the chemistry lab, solvents are said to be punctilious when they have been completely purified through filtering, distillation, and chromatography. Punctilious ether, if a sound, could be compared to the perfectly polished tone generated from lead crystal when struck with a platinum spoon. This is the level of refinement heard in Alyssa Allgood's voice on What Tomorrow Brings. Allgood has been filtering and distilling her tone over three previous recordings: Lady BIrd (Self Produced, 2015); Out Of The Blue ...
Continue ReadingC. Michael Bailey’s Best Releases of 2016

by C. Michael Bailey
Shifting priorities in 2016 prevented me from either listening to or reviewing as much music as I have in the past. Thus, I did not take a swing at many fine recordings that by all accounts should be on this list like: John Scofield's Country for Old Men (Impulse!); Keith Jarrett's A Multitude of Angels (ECM); Frank Kimbrough's Solstice (Pirouet Records); Joe Lovano's Classic! Live at Newport (Blue Note Records); or Michael Formanek's Ensemble Kolossus' The Distance (ECM).
Continue Reading“…assured and daring.”
-Downbeat magazine
“…a model of sophisticated song interpretation.”
-Chicago tribune
“…an artist of the first order.”
-The Wholenote
“…Allgood assuming her proper position as one of the finest jazz vocalists today.”
-all about jazz
“…she is undeniably skillful at what she does.”
-the new york city jazz record
Photos
Concerts

Chris Madsen Quartet With Alyssa Allgood
Winter's Jazz ClubChicago, IL
Tickets
Music
Wish You Were Here
From: ReminiscingBy Alyssa Allgood
Midnight at the Oasis
From: ReminiscingBy Alyssa Allgood
Last Dance
From: ReminiscingBy Alyssa Allgood
Use Me
From: ReminiscingBy Alyssa Allgood
Tell Me Something Good
From: ReminiscingBy Alyssa Allgood